Sep 13, 2025

August, 2025: Visit to District Jail, Agra on the completion of 6 years of Tinka Jail Radio


Paathshala with a difference: Education and musical renditions that are transforming lives through Tinka Jail Radio

                                               Professor Vartika Nanda


Visit to District Jail Agra

It was a moody, overcast evening when I arrived at District Jail, Agra. The entrance stood stoic and familiar—unchanged since my first visit back in 2019, its weathered facade quietly echoing the passage of time. But as I stepped inside, the stories of change through the Tinka Jail Radio made me feel more confident as well as emotional. I have come here today to witness these changes right in front of me. As someone who had conceived and executed this jail radio, this is a moment of pride, to see how the radio has flourished.

This occasion marked six remarkable years of Agra Jail Radio, a pioneering initiative by our Tinka Tinka Foundation (TTF) of which I am the founder. This jail radio has redefined communication in the prison. 

The visit also commemorated one year since the release of the ICSSR-backed report, in which Agra Jail Radio emerged as a central force for change. Released in 2024 by the Chief Secretary of Uttar Pradesh, the report evaluated my extensive study on the communication needs of women inmates and their children. The findings were not only acknowledged—they were celebrated. The study was officially recognised as outstanding, highlighting the critical role of prison radio in fostering dialogue, emotional healing, and social reintegration. 

Link: Dr. Vartika Nanda: Media Educator & Prison Reformer: उत्तर प्रदेश के मुख्य सचिव ने डॉ0 वर्तिका नंदा की ‘उत्तर प्रदेश के विशेष संदर्भ में भारतीय जेलों पर आधारित विस्तृत शोध रिपोर्ट का विमोचन किया: 23 August, 2024

Now in 2025, the jail has evolved in subtle yet significant ways. The most striking innovation introduced in this jail in 2019 was the jail radio-a vibrant thread of sound and storytelling that weaves through the prison’s daily rhythm. It’s more than just a broadcast; it’s a voice for the voiceless, a platform for expression, and a surprising symbol of hope in the jail.  

Commemorating Six Years of Agra Jail Radio: A Journey of Voice and Reform

My recent visit to District Jail, Agra, holds profound significance. It was not merely a celebration- it was a tribute to resilience, transformation, and the power of unheard voices. 

Conversation with the Jail Superintendent

Once inside the jail premises, I had the opportunity to meet Superintendent Hari Om Sharma, who has been at the helm of District Jail, Agra, for the past two years. Our conversation organically gravitated toward the evolving role of jail radio—a subject close to both our hearts.

Superintendent Sharma spoke with conviction about howTinka Jail Radio has become an integral part of the prison’s daily functioning. I was happy to observe that from broadcasting crucial announcements to hosting programs on literacy and education, Tinka Jail Radio has emerged as a silent yet powerful ally in prison management. He deeply admired its role in motivating inmates to pursue academic goals, often rekindling a long-lost desire to learn. 

https://www.youtube.com/shorts/boRXgj-0h_A

The Rhythm of Broadcast

Each afternoon, from 2:30 pm to 4:30 pm, the atmosphere in District Jail, Agra, hums with life. Jail Radio takes to the airwaves, offering inmates a daily dose of connection, creativity, and calm. On special occasions, the broadcast stretches longer—sometimes four, even five hours—turning into a celebration of voices and stories that echo through the prison corridors.

Even on holidays, the radio remains a faithful companion, playing for at least three hours to ensure that no day passes in silence. Whether it's music, messages, or moments of reflection, Jail Radio has become a heartbeat in the jail—a rhythm that brings comfort, continuity, and a sense of belonging to those behind bars.

Expansion of Radio Jockeys: Voices Behind the Bars

When Agra Jail Radio first went live in 2019, it began modestly- with just three radio jockeys who dared to lend their voices to a new experiment in prison communication. Today, that number has grown to eight, reflecting not just expansion, but evolution. The original trio has since been released, and five new RJs have stepped into their shoes: Uday Singh, Ravindra, Bharat, Kuldeep, and Sachin.

During my visit, I got the opportunity to meet four of them—all undertrial inmates, each carrying a unique story and prior experience in broadcasting. Their familiarity with the mic predates their incarceration, making their transition into jail radio both natural and transformative.

For these men, jail radio is far more than a daily routine. It’s a meaningful engagement—a way to reclaim identity, channel creativity, and connect with others. It offers recreation, yes, but also redemption. In a space often defined by silence and confinement, the radio studio becomes a sanctuary of sound, purpose, and possibility. For many, it is nothing short of a lifeline.

Agra Jail Radio Playlist: https://shorturl.at/JBCPX


Music Requests and the Quiet Power of Learning

Every day, nearly 30 song requests pour into the jail radio station-each one a handwritten note, a small but powerful act of expression. Since 2019, Tinka Jail Paathshaala has upheld a simple yet transformative tradition: all music requests must be submitted in writing. What began as a logistical choice has blossomed into an unexpected educational initiative.

This practice has quietly nurtured literacy among inmates. Over time, handwriting has improved, and many prisoners—especially those who were previously illiterate—have been inspired to learn basic grammar and writing skills. The desire to hear a favorite song has become a gateway to learning, self-improvement, and dignity.

In a space where formal education often feels out of reach, these handwritten requests have become symbols of progress. They reflect not just musical preferences, but personal growth—proof that even behind bars, the human spirit continues to seek connection, creativity, and change.

Documenting Change: The Power of Programming

A dedicated register is meticulously maintained to chronicle every broadcast aired through Agra Jail Radio—a quiet testament to the discipline and purpose behind the initiative. Among the wide array of programs, those focused on literacy, education, and legal awareness consistently emerge as the most popular.

Radio in Prison: National Book Trust, India

Coming back, inmates and the jail staff were excited to hold copies of Radio in Prison, published by NBT India. They were aware that District Jail, Agra is at the centre of this book, as the most powerful study. Buy Radio in Prison Towards New-Age Reform Book Online at Low Prices in India | Radio in Prison Towards New-Age Reform Reviews & Ratings - Amazon.in

The impact:

Agra Jail Radio has become more than a medium—it is a movement. It offers inmates a platform to express, connect, and rebuild. For women inmates especially, it has opened a channel to share their stories, reach their children, and reclaim their identities. In a space often defined by silence and isolation, the microphone has become a lifeline. Jail Superintendent also shared how the radio has been instrumental in addressing behavioral challenges. Programs designed to tackle indiscipline and aggression have shown promising results, fostering a more reflective and cooperative environment among inmates. What was once a tool for communication, has now become a catalyst for transformation.

Undoubtedly, the influence of the jail radio on the prison environment has been profoundly positive, fostering informed dialogue, reducing anxiety, and encouraging inmates to engage with their rights and responsibilities.

Music, too, plays a vital role in this ecosystem of reform. Among the most requested songs are the emotionally charged classics “Chitthi Aayi Hai” and “Sandese Aate Hain”—melodies that speak of longing, connection, and the enduring bond with loved ones beyond the prison walls. These requests reflect not just musical taste, but the deep emotional undercurrents that run through the lives of those incarcerated.

Together, these programs and songs form a tapestry of healing and hope—documented, preserved, and played back each day as a reminder that even in confinement, transformation is possible. Some of these transformation based stories have become a part of Tinka Jail Radio podcasts, which are also not funded by anyone like the other tasks taken up by TTF. 

This visit was a moment to reflect on how far we’ve come—and how much further we must go. It reaffirmed the belief that communication is not a luxury, but a necessity. And in the echo of every broadcast, there lies the promise of reform, dignity, and hope.

Agra Jail Radio has given rhythm to silence, purpose to confinement, and dignity to those often forgotten. Each program, each song request, each handwritten note is a testament to the resilience of the human spirit and the power of communication to heal and uplift.

Future Initiatives: Envisioning the Next Chapter

During my conversation with Superintendent Hari Om Sharma, I proposed that a special program be curated to mark Teachers’ Day—an occasion that resonates deeply within the educational ethos of the jail radio initiative. The idea was met with enthusiasm, and discussions have already begun to shape new concepts that will celebrate the spirit of learning and mentorship within the prison community.

These upcoming initiatives aim to further elevate the educational and cultural impact of Agra Jail Radio. From thematic broadcasts honoring educators, to inmate-led storytelling sessions about transformative teachers in their lives, the radio is poised to become an even more dynamic platform for reflection, growth, and celebration.

As the radio continues to evolve, its role as a bridge between confinement and creativity grows stronger—offering not just information, but inspiration.

Website Link of Agra Jail Radio: https://tinkatinka.org/jail-radio/

Reflections on the Journey

As I stepped out of the gates of District Jail, Agra, a quiet sense of fulfillment washed over me. What began in 2019 as a modest experiment—a handful of voices and a borrowed microphone-has, by 2025, blossomed into a vibrant platform of hope, creativity, and transformation.

This journey is far from over. In fact, it is only just beginning. This radio and several other radios established by TTF, boast to be the most systematic prison radios in India. Despite no financial support, these radios have proven their worth. With every passing day, the radio reaches deeper into the hearts of inmates, staff, and reformers alike—poised to scale new heights, spark new ideas, and continue rewriting the narrative of incarceration in India. 

Young minds are invited to join as interns and delve into a world of emotions, helping the society further. www.tinkatinka.org

​#agrajailradio #oldestprison #tinkatinkafoundation #indianprisonreformer #vartikananda



Sep 10, 2025

BREVITY: IOJ: 2025

 BREVITY

(Disclaimer: This content has been compiled by the students from various sources. These notes are to be used purely for academic purposes. No copyright infringement intended. The blogger will not be responsible in any manner whatsoever, regarding the authenticity of the information included in the notes.)

DEPARTMENT: B.A. (Hons) Journalism

SEMESTER: I

PAPER: INTRODUCTION TO JOURNALISM

UNIT: I

TOPIC: Brevity

Time Period: The mentioned topic was discussed in class in the fourth week of August, 2025. 

Brevity refers to the quality of being concise and to the point, particularly in writing. In the context of news writing, brevity is crucial because it allows journalists to deliver information quickly and clearly, ensuring that readers can grasp essential facts without unnecessary details. This quality is essential for capturing audience attention and maintaining engagement in fast-paced media environments. It is a highly prized attribute of communication in journalism often associated with clarity which is a major goal in communications. It is the quality or state of being brief in duration. When applied to writing, it means using as few words as possible to communicate a message or idea. This can be done through the use of short sentences, active voice, and specific language. 

         However, brevity does not mean sacrificing quality or accuracy. A journalist must still be able to tell a story and provide context in a limited amount of space. But with practice, it is possible to communicate effectively without being wordy. Thus, brevity should be proportional, neither leaving out anything necessary nor including more than is needed.

Importance of Brevity:

Brevity enhances the effectiveness of hard news writing by allowing journalists to present key information quickly and clearly. In a world where readers often skim content, concise writing ensures that essential facts are communicated without unnecessary details. This helps maintain reader engagement and ensures that the most important points are highlighted right from the start.

Journalists use various techniques to maintain brevity while conveying important details, such as employing the inverted pyramid structure, which places the most crucial information at the beginning of the article. They also focus on using active voice, short sentences, and eliminating jargon or filler words that do not contribute to the message. These strategies help create a tight narrative that delivers essential information efficiently.

In today's digital news landscape, brevity significantly impacts reader comprehension by catering to shorter attention spans and fast-paced consumption habits. Readers are more likely to engage with articles that get straight to the point and present information succinctly. This trend emphasizes the need for journalists to hone their skills in concise writing, ensuring that critical information is easily digestible while maintaining clarity and impact.

Simplifying Complex Ideas

Simplifying complex ideas is a crucial aspect of concise writing in journalism. To achieve this, journalists can employ several techniques:

Identify the key elements of the story and focus on those: By distilling the story down to its essential elements, journalists can avoid unnecessary tangents and keep the narrative focused. This involves identifying the main theme, key players, and critical events that drive the story forward.

Use analogies and metaphors to explain complex concepts: Analogies and metaphors are powerful tools for making complex ideas more relatable and accessible to a wider audience. By drawing parallels between unfamiliar concepts and everyday experiences, journalists can create a deeper understanding of the subject matter.

Avoid using technical jargon or overly complex terminology: Using technical jargon or overly complex terminology can alienate readers who are not familiar with the subject matter. Journalists should strive to use clear and concise language that is free from technical terms unless they are essential to the story.

Using Language Effectively

Using language effectively is critical to concise writing in journalism. To achieve this, journalists can employ several techniques:

Use active and descriptive verbs to bring the story to life: Verbs are the engines of language, and using active and descriptive verbs can add depth, nuance, and emotion to a story. This helps to create a more immersive experience for the reader.

Use concise and clear language to convey the message: Clear and concise language is essential for effective communication. Journalists should avoid using ambiguous or vague terms that can confuse or mislead readers.

Avoid using clichés and overused phrases: Clichés and overused phrases can make a story feel stale and unoriginal. Journalists should strive to use fresh and innovative language to convey their message.

Challenges of Brevity in Journalism

While brevity is essential in journalism, it also presents several challenges. Journalists must balance the need for conciseness with the need to provide sufficient context and detail. This can be particularly challenging when dealing with complex or nuanced topics.

To overcome these challenges, journalists can employ several strategies, including:

Conducting thorough research to gain a deep understanding of the subject matter

Creating an outline to organize the story and ensure clarity

Using clear and concise language to convey complex ideas

Conclusion:

Brevity in journalism is a crucial aspect of effective news reporting. By focusing on clear, concise writing, journalists can deliver the most important information to their readers in a straightforward, easily and digestible manner. Brevity in journalism allows readers to quickly grasp the essence of a story, and stay informed about the world around them.

Links for notes on Brevity from the year: Year 2023

https://vartikananda.blogspot.com/2023/02/attribution-brevity-on-record-off-record.html 


Sep 8, 2025

IIM, INDORE: 6 September: Speaker: हिन्दी पत्रकारिता- चुनौतियां और अवसर

Moderation: Professor Himanshu Rai, Director, IIM, Indore


Panelists:  Nitishwar Kumar, IAS(Additional Secretary, Ministry of Women and Child Welfare, Government of India), Jai Prakash Pandey ( Journalist, Sahitya Tak, India Today Group) and Professor (Dr.) Vartika Nanda.



इस चर्चा में भारत सरकार के एडीशनल सेक्रेटरी श्री नीतीश्वर कुमार, टीवी टुडे/इंडिया टुडे ग्रुप के संपादक श्री जयप्रकाश पांडेय और दिल्ली विश्वविद्यालय के लेडी श्री राम कॉलेज की प्रो. वर्तिका नंदा ने विचार साझा किए। चर्चा में यह भी सामने आया कि किस प्रकार सोशल मीडिया ने हिंदी को नई ऊर्जा दी है और वैश्विक मंचों तक पहुँचाने का माध्यम बना है। भाषा की गरिमा बनाए रखते हुए उसे सरल और प्रभावी ढंग से प्रस्तुत करना आज की सबसे बड़ी आवश्यकता है। पूरे संवाद का अनुभव अत्यंत प्रेरणादायक और उत्साहवर्धक रहा, जिसने हिंदी पत्रकारिता के भविष्य को लेकर आशा और विश्वास दोनों को मजबूत किया।

यह कार्यक्रम आईआईएम इंदौर में हिंदी भाषा के गौरव और उसके प्रसार के प्रति हमारी प्रतिबद्धता को दर्शाता है। हम सभी भारतीय भाषाओं को संरक्षित और प्रोत्साहित करने के लिए समर्पित हैं।

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Press clipings IIM Indore,











Sep 3, 2025

RADIO IN PRISON: CELEBRITIES HOLDING THE BOOK

 RADIO IN PRISON: CELEBRITIES HOLDING THE BOOK


Dr. Jitender Singh, Union Minister of State (independent in-charge) for Science and Technology, browsing at RADIO IN PRISON at book national fair 2025.

Shri. Manoj Sinha, Lieutenant Governor, Jammu and Kashmir holding RADIO IN PRISON in hands with shri. Yuvraj Malik, director, NBT, India at international book fair, 7th February 2025


3rd September, 2025: Aaj Tak
Shweta Singh holding RADIO IN PRISON,









3rd September, 2025: Aaj Tak
Shams Tahir Khan holding RADIO IN PRISON,


4th September, 2025
Keshav Chandra, IAS, Chariman, NDMC holding radio in prison







Aug 30, 2025

Introduction to Journalism: Batch 2028-29

"Introduction to Journalism" is a core paper in BA Honours Journalism course of Delhi University. There are 36 students in the class of Journalism at Lady Shri Ram College. Classes started from 4th August. Here is the feedback of the students. 

Aug 25, 2025

ATTRIBUTION: IOJ

(Disclaimer: This content has been compiled by the students from various sources. These notes are to be used purely for academic purposes. No copyright infringement intended. The blogger will not be responsible in any manner whatsoever, regarding the authenticity of the information included in the notes.)

DEPARTMENT: B.A. (Hons) Journalism

SEMESTER: I

PAPER: INTRODUCTION TO JOURNALISM

UNIT: I

TOPIC: Attribution

Time Period: The mentioned topic was discussed in class in the fourth week of August, 2025. 

Journalists rely on a range of sources to get the facts that are based on evidence or proof. Thus, they are expected to provide shreds of evidence on whatever they are reporting. In journalistic writing, these shreds of evidence come in the form of videos, pictures, recordings, quotes and attributions. 

Attribution is stating who said something. Attribution is essential in all the media, including radio and television. Journalists do it so that their readers or listeners can know who is speaking or where the information in the story comes from. It can be used for both spoken and written information. 

It simply means telling readers where the information in the story comes from, as well as who is being quoted. It includes using a source’s full name and job title if that is relevant.

IMPORTANCE OF ATTRIBUTION

Attribution is very important in media writing; it helps to establish an objective tone and adds credibility to an article. One must not keep out readers in the dark and hence attributing the information adds extra weight to it. Attribution gives stories a perspective. It tells readers how we know what we know. It is important to give credit to the person or group who spent the time researching and writing in order to provide that information. It allows readers to find the source later if they want to read it themselves.

Learning the critical role attribution plays within the craft is one of the true building blocks necessary to become a strong, ethical reporter and hence effective use of attribution is a matter both of journalism ethics and of strong writing.

Some examples of different kinds of attribution:

TYPES OF ATTRIBUTIONS

“On-the-record” attribution means that everything the source says may be published and quoted directly, and the source may be fully identified by name and title. Reporters should try to keep as much as possible of every interview on the record. This allows readers to see or hear the source’s exact words and know who the source is.

“Off the record” is the final level of attribution. It generally means a source’s information cannot be used, but that is often misunderstood. Some people say they are speaking off the record when they really mean they are speaking in the background. Also, reporters and sources sometimes disagree as to exactly what “off the record” means. Reporters, however, sometimes use off-the-record information as leads to other sources. Almost every secret is known by several people, sometimes hundreds of people. Once reporters know what they are looking for, they usually can locate public records or sources who can verify the information on the record or on background. 

“On background,” which is sometimes referred to as “not for attribution,” means the reporter may quote the source directly but may not attribute the statements to the source by name. The reporter may describe the source by her position. For example,  Patrick E. Tyler of The New York Times used on-background sources for a story exposing U.S. military assistance to Iraq during its war against Iran. Tyler reported the United States had covertly provided intelligence and battle plans to Iraq even though U.S. officials knew Saddam Hussein was using chemical weapons against both Iranian troops and civilian rebels inside Iraq. Much of Tyler’s story was attributed to “senior military officers with direct knowledge of the program” or “former Defense Intelligence Agency officers” who were willing to talk only on the condition that they not be identified.

“On deep background” is a variation of the backgrounder. This level of attribution is sometimes called the Lindley Rule, named after Ernest K. Lindley, a Newsweek columnist who used it during the Harry Truman administration to persuade U.S. leaders to discuss military and diplomatic affairs. A source on deep background may not be quoted directly and may not be identified in any way. A reporter must publish the information without any attribution or with a phrase like, “It has been learned that. . . .” Unless reporters have a high degree of confidence in the source and the information and the approval of their supervisors, they should stay away from information given on deep background.

WHEN TO ATTRIBUTE

Any time the information in your story comes from a source and not from your own firsthand observations or knowledge, it must be attributed. A good rule of thumb is to attribute once per paragraph if you are telling the story mainly through comments from an interview or eyewitnesses to an event. It might seem repetitive, but it’s important for journalists to be clear about where their information originates.

Example: The suspect escaped from the police van on Broad Street, and officers captured him about a block away on Market Street, said Lt. Jim Calvin.

ATTRIBUTING FACTS AND OPINIONS

There are some things which are universally accepted as true, for example that the world is round, that Tuesday follows Monday, that Fiji is in the Pacific. But there are also things which people want you to believe are true but which are either not provable or are lies. These people may not knowingly tell a lie, but many people are careless with the truth.

Also, situations may change, so that the truth at one moment may be wrong the next. Attribution helps you to overcome some of these problems. Attribution is the act of specifying who said what.

If you attribute the words to the person who said them, you do not have to prove or disprove the truth of their words; you simply report them. Also, people judge what is said by the person who says it. Statements made by people in authority carry more weight than statements made by other people.

ETHICS

Attribution is a journalist's way of sourcing the information in their piece. This can come from all different ways, including quotes to paraphrasing. Any information that is provided outside of a journalist's personal observations needs to be properly attributed in any type of article. This prevents any fraud, copyright infringements, and helps the writer be clear and precise about their data.


Journalists' ethical code normally addresses the issue of attribution, which is sensitive because in the course of their work journalists may receive information from sources who wish to remain anonymous. Divulging the identity of a confidential source is frowned upon by groups representing journalists in many democracies. In many countries, journalists enjoy the same protection under the law as all other citizens, and as such may be required to divulge their sources in the course of a criminal investigation as any other citizen would be. Even in jurisdictions which grant journalists special legal protections, journalists are typically required to testify if they bear witness to a crime.

In conclusion, by properly attributing information to its sources, journalists can maintain the public trust and provide with a clear understanding of where the information came from. 


Weekly Report: IOJ: 2025

 Week from 4th August 2025

Subject: Introduction to Journalism

Teacher - Vartika Nanda


Topic Covered: Definition of News

Discussed the meaning and various interpretations of "News"

Comparing definitions from different scholars and media organizations.

Emphasized that news should inform, educate, and sometimes entertain.

In-Class Task

Write a 200-word descriptive piece on “Your First Day of College”

Deadline: 12:40 AM, 4th August 2025

Assignment Details

Write 5 Best Possible Definitions of News 

Research and Write on the Nature of News 

Write About the Ingredients of News

Students who were allotted the respective topic by ma’am-:

Name of the students

Topic alloted

Nibedita and Samya

News: meaning, definition and nature; Ingredients of news


Students who volunteered for the particular topics-:

Name of the students

Topic

Avira and Khushi 

The news process

Geet

Yellow journalism

Aadhya 

Embargo



Name of the Student 

Topic

Agrima and Ayushi

Hard news and Soft news



Week from 11th August

Topics to be discussed 

Definition of News

Nature of News

Ingredients of News

Hard News and Soft News

Weekly report

Assignment 1 (Describe in 200 words about your first day in college)

Assignment 2 (Write in 100 words that what you have understood in hard news and soft news)

Verification of News

Assignment - Note about verification in 50 words 

Assignment - What is the amount of verification that we witness on social media platforms

Week from 18th August

Topic Covered: 

Discussed the meaning of, and differences between Hard and Soft news 

Components of news and explanation of each component 

Explanation of Embargo with examples


Topics to be Covered in the next class: 

Attribution 

Balance and fairness

Brevity 


Responsibilities assigned:


Document on balance and fairness

Riya Singh and Priya 

Structure of ‘use of internet’ 

Vedika and Shreya 



Assignment Details

1. Write about hard and soft news in not less than 200 words in your notebook. Deadline- 21 August 2025

2. Write an essay on components of news, and include as many pointers as possible. Deadline- 25 August 2025

Practical Assignment Details

The class was divided into two groups: 


Group 1: 

LEADERS: Nibedita and Chandrani 

Create a handwritten newspaper with major focus on photographs and journalism 

Must not exceed 4 pages and can be made on A4/A3 sheets


Group 2:

LEADERS: Shagun and Priya

Create a handwritten newspaper with major focus on hard and soft news 

Must not exceed 4 pages and can be made on A4/A3 sheets


Duration- 1 month 


Week from 25 August  


Responsibilities Assigned: 

Chandrani - Brevity and Attribution

Priya and Riya - Balance and Fairness


Aug 21, 2025

LIVE REPORTING: MLE: 21 August

Historical Evolution of Live Reporting

Early Beginnings:

Live reporting began with radio broadcasts in the early 20th century, notably during World War II.

Edward R. Murrow’s live reports from London during the Blitz set a precedent for real-time war journalism.

Television Era:

The 1960s saw the rise of live TV coverage, including the assassination of JFK and the moon landing.

Satellite technology enabled global live broadcasts, such as the 1989 fall of the Berlin Wall.

Digital Revolution:

The 2000s introduced live blogging and streaming via platforms like YouTube, Facebook Live, and X (formerly Twitter).

Citizen journalism emerged, allowing anyone with a smartphone to report live from the scene.

Nature and Characteristics of Live Reporting

Definition: Real-time coverage of unfolding events, often without post-production or editorial delay.

Key Features:

Immediacy and spontaneity

High emotional impact

Unfiltered access to events

Requires improvisation and adaptability

Challenges:

Technical glitches

Incomplete information

Pressure to be first vs. pressure to be accurate

Impact of Live Reporting

Positive Impacts

Public Engagement:

Creates a sense of urgency and connection

Encourages civic participation and awareness

Transparency:

Reduces gatekeeping by traditional media.

Offers raw, unedited views of events.

Democratization of News:

Empowers citizen journalists.

Diversifies perspectives beyond mainstream narratives.

Negative Impacts

Misinformation Risks:

Speed often compromises verification

False narratives can spread rapidly

Emotional Manipulation:

Sensationalism may override substance

Can amplify trauma or panic during crises

Ethical Dilemmas:

Privacy violations (e.g., showing victims live)

Safety risks for reporters and subjects

Ethical Considerations:

Verification vs. Velocity:

Journalists must balance speed with accuracy

Use of backgrounders and fact-checking is essential

Consent and Sensitivity:

Avoid broadcasting distressing content without consent

Respect cultural and personal boundaries

Legal Boundaries:

Sting operations, phone tapping, and live coverage of trials raise legal and ethical concerns

Suggested Readings

Media Ethics Paranjoy Guha Thakurta Ethics in Indian journalism

Radio Journalism in India Dr. Vartika Nanda Evolution of radio and live reporting

News Writing and Reporting Bruce D. Itule & Douglas A. Anderson Techniques and structure of news

Censorium William Mazzarella Media, censorship, and public culture


Aug 19, 2025

किताब। विदेशों में हिन्दी पत्रकारिता। जवाहर कर्नावट। Book Review Vartika Nanda

In this thought-provoking Short from VN Ki Paathshala, Professor (Dr.) Vartika Nanda introduces a powerful book that explores the journey of Hindi journalism beyond India's borders. With veteran journalist Jawahar Karnawat at the center of the conversation, the video offers a glimpse into the vibrant legacy and challenges of Hindi media in foreign lands.



This isn’t just a book—it’s a bridge between cultures, languages, and generations. If you care about the evolution of journalism or the role of Hindi in global discourse, this Short is your perfect entry point.

Vartika Nanda: Book Review

In a world overflowing with noise, VN Ki Paathshala stands out as a sanctuary of substance—a space where stories breathe, voices matter, and journalism finds its soul.


Aug 18, 2025

Practical Classes: Newspaper Making: IOJ: 2025

Date: 18.08.2025 

Instructions: 

Gather newspapers (both English and vernacular papers) 

 Four pages long (A-3/ A-4) newspaper is to be made. 

Focus on photos from news reports, journalistic writing.

An eye-catching name of the newspaper is to be given.

Be creative. 

The practical activity is to be done in groups. (4-5 members) 

Purpose of this exercise: 

In today's practical session, our group 2 was divided into two groups to prepare a newspaper  filled with pictures. One group worked on the news and pictures from the Sports section while the other worked on Entertainment. We collected and cut out relevant pictures from newspapers we got, arranged them on sheets, and gave proper headings. Although we could not paste the pictures due to the unavailability of glue, we completed the layout. Through this activity, we learnt the importance of teamwork and most importantly understood how in both sports and entertainment, pictures play a powerful role in communicating news and stories more effectively than words alone.

GROUP1 AND GROUP 2

Students in Practical Group 1

Aadhaya Mahajan 

Aakriti Yati

Agrima Kamal

Avira Banerjee 

Ayushi Soni

Chandrani Mondal 

Chunit Tsomo

Geet Bandhu

Jiya Raj 

Khushi 

Kusum Saraswat 

Lavanya Shah 

Maanya Singh

Naisha Nagpal 

Navya Kaul 

Navya Sirohi

Nibedita Manna 


Students in Practical Group 2 

Redhima Pushkarna 

Riya Singh

Tanisha Sharma 

Priya Dey 

Shreya Yadav 

Samridhi Srivastava 

Srija Minz 

Rhea Sara Vinu 

Shagun Yadav 

Vedika Trivedi 

Samiya Kanojia 

Saranya Saha 

Yashi Sharma 

Shalini Sharma 

Sneha Jaiswal 

Payal 

Prisha Singh 



..................




DD URDU: Asiad Village: Hauslon ki Udaan: 17 August, 2025


17 अगस्त, 2025: सुंदर दिनों की तस्वीरें ऐसी ही होती हैं- वो रौशन करती हैं और महकती हैं. आज का दिन ऐसा ही था. डीडी उर्दू में- हौसलों की उड़ान- के निर्माता Dr. Syed Nazam Iqbal जी के आमंत्रण पर एक शानदार इंटरव्यू का सौभाग्य मिला.  इंटरव्यू राशिद ने लिया. साक्षात्कार के केंद्र में था- तिनका तिनका जेल. 

इसी बहाने दूरदर्शन को लेकर बीते दिनों की कई यादें ताजा हुईं. एशियाड खैलो के समय बना यह खेल गांव में दूरदर्शन का यह कार्यलय किसान चैनल के नाम है. उर्दू चैनल भी यहीं से संचालित होता है.

यह इस देश के बहुत से लौगों की नासमझी ही है कि वे दूरदर्शन और आकाशवाणी को वह सम्मान दे ही नहीं पाए जिसके वे हकदार है. पूरे देश को संचार के माध्यम से एकसाथ पिरोने का कां इन दोनों ने किया लेकिन मलाई किसी और ने खाई. खैर, मलाई खाने वाले चैनलों से मुझे गुरेज नहीं पर यह अफसोस जरूर है कि इस देश में प्रसारण का ककहरा जिन्होंने सिखाया, वे भुला दिए गए. बिना चीखे-चिल्लाए देश की संस्कृति-संस्कार को जोडने वाले इन माध्यमों को हमने सम्मान दिया होता तो आज ऐसे प्राइवेट मीडिया का सामना न करना पड़ता.

बहरहाल, कल के इस अविस्मरणीय दिन के लिए शुक्रिया दूरदर्शन। शुक्रिया Mohammad Salim का भी क्योंकि एक साल पहले उन्होंने रोज़गार से कामयाबी तक में Mass Communication और Journalism पर संवाद करने के लिए मुझे यहीं पर आमंत्रित किया था.


बहरहाल, इस अविस्मरणीय दिन के लिए शुक्रिया दूरदर्शन। लौटते हुए किसान चैनल की संकल्पना और आज तक के सबसे लंबे कृषि कार्यक्रम- कृषि दर्शन- के लिए भी मन भावों से भरा रहा.


वैसे आपको बता दूं कि एक साल से कृषि दर्शन पर कुछ शोध कर रही हूं. शोध करने के लिए किसी युवा छात्र की भी आवश्यकता थी. बस, कहानी वहां अटक गई. बाकी कहानी कभी और बताती हूं. 

(लौटते समय एक अन्य एंकर मोनालिसा से मुलाकात हुई. उसने याद दिलाया कि 2004 में प्रभात खबर के मीडिया संस्थान में जब मैं किसी कार्यक्रम में मुख्य अतिथि के तौर पर गई थी, तब वो वहां एक छात्र थी. यह पुरानी स्मृति भी बड़ी स्नेहिल लगी.)

Promo: 25 August, 2025

https://x.com/UrduDoordarshan/status/1959983885628198976

https://x.com/UrduDoordarshan/status/1959985756883259793

Full interview:

DD URDU: https://www.youtube.com/watch?v=gQNku7MCkl0

VN Channel: https://www.youtube.com/watch?v=bw9Yh3ydSKo

Glimpses:








Aug 15, 2025

News: Meaning, nature and ingredients: IOJ

SEMESTER: I 

PAPER: Introduction to Journalism

UNIT: 1

TOPIC: News—meaning, nature and ingredients

TIME PERIOD: The aforementioned topic was discussed during the first week of August, 2025

Meaning and Nature of News

News refers to any event that is new, unique and timely verified by whoever announces the anew, namely reporters, journalists, broadcasters and so on. 

The word ‘News’ comes from the French word ‘Nouvelles’, which refers to new things; news is also referred to as a popular acronym which stands for ‘North, East, West and South’ and ‘Notable Events, Weather and Sports’

 News has to be in simple language, direct and concise. In newspapers, broadcast channels, radios and even social media, news is consumed by several demographics, including but not limited to seven-year-old children and seventy-year-old senior citizens. Therefore, news should be presented in a way that is palatable to everyone.

 News releases on every platform follow the Inverted Pyramid style. Now, one may ask as to what is the aforementioned Inverted Pyramid style, which is nothing but the order of events from the most important to the least important, making the structure of  press releases much like an upside-down pyramid. A press release that follows this format delivers the essential information only, in descending order of importance. The opening lines in such releases usually cover the five Ws of journalism, namely who, what, when, where and why.

The news coverage of a platform depends on where they are based and what kind of platform they are; global, national or local. News channels and newspapers in North India often focus on issues in North India while glossing over and giving little attention to issues in the Northeast or South India. Similarly, local news channels rarely go beyond the scope of their locations, with global issues and issues in a different part of the country not being covered as much as local happenings.

In the present day scene of journalism where citizen journalism is on the rise in multiple social media platforms such as WhatsApp, Facebook, X (formerly Twitter) and Instagram, and multiple inconsistent, unverified testimonies of incidents are rampant in the platforms,  backgrounders are an essential tool, to fact check and to go into an in depth analysis of a news report. We can define a backgrounder as an informational article or a document which provides detailed information on a specific subject, with respect to the current incidents and happenings. It doesn’t just state the facts about an incident—it also explains the reason, context and significance behind it. It mainly covers two of the five Ws of journalism, the “why” behind the “what” of a news. A backgrounder must be engaging and compelling, provide connections with the different narratives and clarify issues that aren’t within the scope of an average citizen. Crafting a backgrounder link also requires rigorous research, with the relevance and timeliness of the topic, and organising skills so that the content that is presented to the reader, viewer or listener is compelling—both in narrative and visuals, and insightful. 

 Let us discuss the way in which news is composed and communicated. It is the factor which influences how the audience perceives an event. A journalist's responsibility is to present the news to the audience in a straightforward manner, utilizing clear and comprehensible language. In the context of real-time reporting, it is crucial that the news being reported is informative and encompasses all relevant events, which is where the ability to improvise becomes essential. Even with prepared notes, live news bulletins often encounter unexpected real-time updates, technical difficulties, and other challenges that reporters must navigate. The actions and methods they employ afterward, which may not be obvious to viewers, can be attributed to their adeptness in improvising their notes and reorganizing the information.

A vital part of news is also the source to which a piece of news can be credited to. The byline of an article in a newspaper or a magazine gives us the name of the author of that particular article. They are commonly placed between the headline and the text of the article, though some are placed at the end for more space for graphical elements under the headline and above the main body.

In short, news is the reporting of events to an audience, but out of everything that happens in the world, only a tiny percentage of that makes it into broadcast channels or newspapers as news stories. There is no definition of news satisfactory to all.  Even though the definition of news would differ based on who you would ask, here are some notable definitions of news:

For any event to be termed as news, it would have to be new information which is factually correct and interesting.

News is the factual report of an event. 

News is an announcement that is new, out of the ordinary and timely verified by the source, either from firsthand experience or verified testimonies that come from other witnesses.

News is an account of what is happening around us. It may involve current events, new initiatives or ongoing projects or issues.

“News is about the economic, political, social and cultural hierarchies we call nation and society. For the most part news reports on those at or near the top of the hierarchies and on those particularly at the bottom who threaten them to an audience most of whom are located in the vast middle range between top and bottom.”- Herbert J. Gans

Ingredients of News

At its core, news is the reporting of carefully selected events to a target audience, as multiple events occur around the globe, yet only a select few make it into the daily news circulation. This selection process isn't arbitrary - it follows established patterns that media scholars have studied extensively. Understanding these "ingredients" or news values reveals not just what makes something newsworthy, but also exposes the inherent biases and limitations in how we consume information.

The Core News Values

I. Relevance

News relevance operates on multiple levels - geographical, cultural, and economic. Research by Maxwell McCombs and Donald Shaw in their seminal agenda-setting studies demonstrates that audiences pay more attention to news that directly affects their lives. However, this creates what I observe as a "relevance bubble" - where important global issues are ignored simply because they seem distant. For instance, climate change effects in small island nations rarely make headlines in developed countries, despite their global implications.

II. Proximity and Geography

A major factor in determining if a story is newsworthy is its proximity. The nearer an important event is to the audience—whether that be physically, culturally, or emotionally—the more likely it is to have a direct impact on them, making such news stories more significant to the public.

The geographical aspect pertains to a media outlet's local area and its nearby surroundings. A blog or a small-town newspaper would concentrate on local events, while a national channel like NDTV would cover stories of national significance.

 However, even within these larger geographical limits, a story that occurs closer in distance is more likely to be featured prominently in the news. A news station in Delhi is more inclined to devote more airtime to the Supreme Court's decision to remove stray dogs from Delhi's streets than to report on the Dharmasthala temple case.

III. Timeliness in the Digital Era

The concept of timeliness has dramatically evolved. While traditional journalism valued breaking news, social media has created an expectation of instant reporting. This creates a dangerous tension: the pressure for immediate publication often conflicts with thorough verification. The 2013 Boston Marathon bombing coverage exemplified this - Reddit users and news outlets alike spread misinformation in their rush to be first, highlighting how the modern obsession with timeliness can undermine accuracy.

IV. Simplification and Clear Communication

News needs to be easy to understand, but this can sometimes create problems. When reporters try to make complex stories simple, they might leave out important details or make things seem more black-and-white than they really are.

For example, when scientists discover something new about health or climate change, the research is usually complicated with many "ifs" and "buts." But news reports often present these findings as simple facts or complete opposites of what we thought before.

Throughout the COVID-19 pandemic, this phenomenon was frequently observed. As doctors and scientists discovered new information regarding the virus and adjusted their recommendations, news reports occasionally portrayed experts as if they were changing their minds or were unsure about their findings rather than clarifying that this is a standard aspect of scientific practice—where one acquires new knowledge and refines their understanding.

V. Unexpectedness and the "Man Bites Dog" Phenomenon

The journalism axiom "dog bites man isn't news, but man bites dog is" reveals our media's bias toward the unusual. While this captures attention, it can create distorted worldviews. Research by George Gerbner on "cultivation theory" shows that heavy news consumption can lead to overestimating the frequency of rare, violent events while underestimating common but less dramatic issues like infrastructure decay or educational challenges.

VI. Narrative Arc and Audience Engagement

Modern news often tells stories like movies or TV shows, with good guys, bad guys, and exciting plot twists. This makes news more interesting to watch or read, but it can also make real-life issues seem simpler than they actually are.

For example, when covering politics, news reports often focus on "who's winning" and "who's losing" instead of explaining what the politicians actually want to do and how it would affect people's lives. It becomes like sports commentary - exciting to follow, but you might miss the important details about policies that could change your daily life.

VII. Editorial Balance and the Diversity Dilemma

News organisations strive for varied content, but "balance" often means false equivalency. Climate change coverage that gives equal time to scientific consensus and fringe denial doesn't reflect factual balance - it creates confusion. This reveals a fundamental challenge: how do we maintain diverse perspectives while avoiding the trap of treating all opinions as equally valid?

VIII. Conflict as Entertainment

Conflict drives engagement, but constant exposure to adversarial framing may contribute to societal polarization. Studies by Amber Boydstun and others show that conflict-focused news coverage can increase political animosity and decrease civic engagement. The question becomes: are we informing citizens or inadvertently encouraging division?

IX. Celebrity Culture and Entertainment Journalism

Celebrities are individuals who have achieved a level of fame and public recognition, often through their work in entertainment, sports, or social media. Their prominence as public figures makes them newsworthy, as their personal lives, successes, and controversies draw attention.

 Celebrities also set trends, influencing people with their actions and views. News about celebrities and entertainment is considered soft news because it appeals to human interest and provides a break from the more serious hard news we usually consume.

 For instance, when Hailey Bieber, a well-known model and the wife of pop star Justin Bieber, is seen at a pizza restaurant, it has a greater impact on the restaurant than if an unknown wealthy woman from Beverly Hills visited the same place.

X. Innovation vs. Novelty

There's an important distinction between genuine innovation in journalism and mere novelty-seeking. While new storytelling techniques and platforms can enhance understanding, the pursuit of "viral" content can compromise journalistic integrity. The rise of TikTok journalism illustrates this tension: can complex issues be meaningfully addressed in 60-second videos?

XI. Audience Impact and the Feedback Loop

Perhaps most critically, these news values create a self-reinforcing cycle. Audiences shaped by these selection criteria expect more of the same, making it difficult for news organisations to break free from these patterns. This raises fundamental questions about journalism's role: should it give people what they want or what they need?

XII. The Verification Challenge in the Digital Age

The digital era has made verification both more important and more challenging. With deepfakes, bot networks, and sophisticated misinformation campaigns, the traditional methods of source verification are no longer sufficient. News organisations now need digital forensics expertise alongside traditional investigative skills.

Critical Reflections

These ingredients of news, while useful for understanding media selection, also reveal troubling patterns. They prioritise the dramatic over the important, the simple over the complex, and the familiar over the foreign. As future journalists, we must grapple with these limitations while working within existing systems.

The COVID-19 pandemic provided a unique lens through which to examine these news values in action. Early coverage focused heavily on dramatic death tolls and political conflicts (playing to unexpectedness and conflict values) while often inadequately explaining complex public health concepts. This pattern suggests that our current news value system may be inadequate for covering the complex, long-term challenges of the 21st century.

What eventually becomes news reflects not just objective importance, but the intersection of commercial pressures, audience expectations, and these deeply embedded values. Understanding this system is the first step toward potentially transforming it. The question for our generation of journalists is whether we can evolve these traditional news values to better serve a democratic society in an increasingly complex world.

Link: Year 2023: https://vartikananda.blogspot.com/2023/01/ingredients-of-news.html


Aug 12, 2025

What is Verification: IOJ NOTES: 12.08.2025


Verification is the process of confirming the truth, accuracy, or reliability of a fact, statement, or theory. It involves rigorous investigation, cross-checking data, and seeking corroborating evidence to build confidence in the information being reported.

Verification is the cornerstone of credible journalism. As Bill Kovach and Tom Rosenstiel famously put it, “the essence of journalism is a discipline of verification.” This guiding principle ensures that the information presented to the public is not only accurate but also trustworthy.

Why Verification Matters

Verification ensures journalists accurately represent events and facts. In a world of competing narratives and misinformation, it serves as a filter to separate truth from distortion. By identifying errors and inconsistencies, journalists can approximate reality more faithfully and uphold public trust.

Key Steps in the Verification Process

1. Interrogate Your Facts

Treat every fact like a suspect—question its origin, assumptions, and implications.

Ask: How do I know this is true? and Why should others believe it?

Seek multiple independent sources that confirm the same detail.

2. Consult Primary Sources

Go directly to original documents, data, or eyewitnesses.

Avoid relying solely on secondhand accounts or summaries.

3. Use Digital Tools and Search Engines

Employ advanced search techniques to narrow results (e.g., site-specific searches).

Use quotation marks for exact phrases and keywords to refine accuracy.

4. Verify Visual Content

Use tools like TinEye or Google Image Search to trace image origins.

Apply FotoForensics or JPEGSnoop to detect image manipulation.

5. Cross-Check with Reliable Databases

Refer to official sources like:

Bureau of Labor Statistics for employment data

FBI’s Uniform Crime Reporting for crime stats

WHO for global health metrics

6. Use Fact-Checking Websites

Platforms like Snopes, PolitiFact, and FactCheck.org can help debunk rumors and misinformation.

7. Maintain an Accuracy Checklist

Before publishing, double-check:

Names, titles, and places

Dates, times, and statistics

Quotes and their sources

Logical consistency of arguments

Proper attribution of all claims

8. Bookmark Trusted Sources

Organize bookmarks by topic (e.g., health, politics, economics) for quick access.

Use tools like Raindrop or Memex to manage and tag sources efficiently.

Aug 7, 2025

NEWSLETTER: 2022

  Tinka Tinka Jail News is a new publication of Tinka Tinka Foundation. This is a prison centric newsletter which is aimed at connecting prisons worldwide. Conceptualized by prison reformer Vartika Nanda, this newsletter will document positive stories that go unnoticed. Tinka Tinka is a movement that has been working to bridge the gap between prisons and society.

Jan-Dec, 2022Volume 3, Issue 1: https://tinkatinka.org/wp-content/uploads/2024/07/Karnal-Jail-NL.pdf

newsletter: 2021

 Tinka Tinka Jail News is a new publication of Tinka Tinka Foundation. This is a prison centric newsletter which is aimed at connecting prisons worldwide. Conceptualized by prison reformer Vartika Nanda, this newsletter will document positive stories that go unnoticed. Tinka Tinka is a movement that has been working to bridge the gap between prisons and society.

Jan-Dec, 2021 Volume 2, Issue 1 : https://tinkatinka.org/wp-content/uploads/2024/07/Panipat-Jan-June-2021-1.pdf

newsletter: 2020

Tinka Tinka Jail News is a new publication of Tinka Tinka Foundation. This is a prison centric newsletter which is aimed at connecting prisons worldwide. Conceptualized by prison reformer Vartika Nanda, this newsletter will document positive stories that go unnoticed. Tinka Tinka is a movement that has been working to bridge the gap between prisons and society.


jan-april 2020 vol 1 issue 1 : https://tinkatinka.org/wp-content/uploads/2021/01/1-Tinka-Awards-2019.pdf

May-August 2020 Vol 1 Issue 2 : https://tinkatinka.org/wp-content/uploads/2021/01/1-Tinka-Awards-2019.pdf

Sept - Dec 2020 Vol 1 Issue 3: https://tinkatinka.org/wp-content/uploads/2021/01/3-Agra-Jail-Radio-Sept-Dec.pdf

Aug 4, 2025

SYLLABUS : MEDIA LAWS AND ETHICS

SYLLABUS : MEDIA LAWS AND ETHICS

UNIT – I (15 hours)

UNIT I: Ethical framework and media practice

• Freedom of expression (Article 19(1) (a) and Article 19(1)2)

• Freedom of expression and defamation- Libel and slander, Issues of privacy and

surveillance in society

• Right to Information Idea of Fair Trial/Trial by Media

• Issues of Copyright

• Media ethics and cultural dependence

• Live reporting and ethics Legality and Ethicality of Sting Operations,

• Phone Tapping etc. Ethical issues in Social media ( IT Act 2000, Sec 66 A and the

verdict of the Supreme Court )

UNIT – II (15 hours)

UNIT II: Representation, Regulation and ethics

• Advertisement and Women

• Pornography related laws and case studies- Indecent representation of Women

(Prohibition) Act,1986 and rules 1987, Protection of Women against Sexual

Harassment Bill, 2007, Sec 67 of IT Act 2000 and 292 IPC etc

• Regulatory bodies, codes and ethical guidelines

• Self-regulation, media content- Debates on morality and accountability: taste,

culture and taboo, censorship and media debates

UNIT – III (15 hours)

UNIT III: Media and Social Responsibility

• Media reportage of marginalized sections- children, Dalits, tribals, gender, differently-abled, old-aged persons.

• Media coverage of violence and related laws - inflammatory writing (IPC 353), Sedition- incitement to violence, hate Speech.

Practical component (if any) - NIL Essential/recommended readings:

1. Thakurta, Paranjoy Guha, Media Ethics, Oxford University Press, 2009 2. Barrie mc Donald and Michel petheran Media Ethics,mansell, 1998.

3. Austin Sarat Where Law Meets Popular Culture (ed.), The University of Alabama Press, 2011.

4. Vikram Raghvan, Communication Law in India, Lexis Nexis Publication, 2007

5. Iyer Vekat, Mass Media Laws and Regulations in India-Published by AMIC, 2000

6. William Mazzarella, Censorium: Cinema and the Open Edge of Mass Publicity, 2013

Suggestive readings:

1. Raminder Kaur, William Mazzarella, Censorship in South Asia: Cultural Regulation from Sedition to Seduction, 2009

2. Linda Williams, Hard Core: Power, Pleasure, and the "Frenzy of the Visible, 1999

 

First Day in College: LSR: Batch of 2028

 The first day of college is always unforgettable. Here's what the Journalism students at LSR had to say about their exciting start to campus life.

We have admitted 32 students this year. 


Aug 3, 2025

पुस्‍तक समीक्षा: Book Review: Radio in Prison: National Book Trust: Government of India

पुस्‍तक का नाम – रेडियो इन प्रिजन 

लेखिका- डा वर्तिका नंदा 

पृष्‍ठ- 200, मूल्‍य- 295,

प्रकाशक नेशनल बुक ट्रस्‍ट

समीक्षक: रामधनी द्विवेदी 

जेलों में इंद्रधनुष बनाने की कोशिश: जेल रेडियो 


जब मैं बरेली में दैनिक जागरण का संपादकीय प्रभारी था, मेरे क्राइम रिपोर्टर सीपी सिंह ने एक दिन मुझसे कहा ‘ सर चलिए आपको एक नई जगह ले चलते हैं।‘ मैने पूछा भी कि कहां तो उसने नहीं बताया। मैं उसकी मोटरसाइकिल पर ही बैठ गया और  थोड़ी देर में उसने बरेली सेंट्रल जेल के सामने बाइक रोकी। मैने पूछा ‘यहां कहां’। उसने कहा आइए तो। वह मुझे लेकर जेल सुपरिटेंडेंट के कमरे में गया। और उनको मेरा परिचय दिया। थोड़ी देर वहां रहा। बातचीत हुई। चाय बिस्‍कुट खाया। जब वहां से निकला तो पूछा’ यहां लेकर क्‍यों आए। उसने कहा’ सर, सोचा आज आपको जेल का कुछ खिला दें। लोग तो यहां रोज जेल की रोटी मांगने आते हैं।‘ मैने पूछा- ऐसा क्‍यों, तो उसने कहा ‘ जेल की रोटी खाना एक टोटका है। यदि किसी के नसीब में जेल की रोटी खाना लिखा है तो यह रोटी खा लेने से उसे जेल नहीं जाना पड़ता,ऐसी मान्‍यता है। मैं जोर से हंसा। अरे मुझे जेल क्‍यों जाना होगा। उसने कहा कि ‘मैने तो टोटका करा दिया। आपने जेल की बिस्‍कुट चाय पी ली है। अब कभी बुरे दिन आए तो जेल नहीं जाना होगा। हम लोग रोज खबरें छापते ही हैं न कि सीधे साधे और निरपराध लोग भी कभी ऐसे फंस जाते हैं कि जेल जाना ही पड़ जाता है।‘ 

जेल ऐसी जगह है कि कोई भी वहां नहीं जाना चाहता। उसका नाम ही डराता है। उसके नाम के साथ ऐसा धब्‍बा जुड़ा है कि जो भी एक बार जेल हो आया,उसे समाज अच्‍छी निगाह से नहीं देखता। लोगों की नौकरी चली जाती है। समाज में मुंह दिखाना कठिन हो जाता है। लेकिन टीवी पत्रकार, कई सम्‍मानों से अलंकृत और वर्तमान में दिल्‍ली विवि में पत्रकारिता की प्रोफेसर डा वर्तिका नंदा ने जेलों की दीवारों से दोस्‍ती की,वहां एक बार नहीं कई बार गईं,वहां के कैदियों की दशा देखी और उनके हालात सुधारने के लक्ष्‍य से अभियान शुरू किया जिसके बहुत ही सुखद परिणाम आए। उन्‍होंने  ‘तिनका तिनका फाउंडेशन’ बनाया जिसके तहत कई सुधारात्‍मक कार्य किए। उन्‍होंने इन्‍हीं अनुभवों को पुस्‍तकों के रूप में सामने रखा। उनकी चार पुस्‍तकें आ चुकी हैं जिनमें ताजा है ‘Radio In Prison’ Towards New- Age Reforms.डा नंदा पहली पत्रकार हैं जिन्‍होने जेल बीट डेवलेप की और उसकी रिपोर्टिंग की। अभी तक मीडिया में यह काम क्राइम रिपोर्टर ही करते आएं हैं।   

उन्‍होने कई जेलों को अंदर से अच्‍छी तरह देखा और आगरा की सेंट्रल जेल, हरियाणा की जेलों और देहरादून की जेल में अपने कार्य अनुभव को इस पुस्‍तक में समेटा है। उन्‍होंने बताया है कि किस तरह उनके जेल रेडियो अभियान ने कैदियों की जिंदगी को बदला और उनमें नई आशा और उर्जा का संचार किया। उनका यह प्रयास जेलों में इंद्र धनुष बनाने की कोशिश है। जिस तरह इंद्र धनुष में सात रंग होते हैं उसी तरह जेल रेडियो से उन्‍होंने कैदियों के जीवन में सूचना, शिक्षा, मनोरंजन,शोध,लेखन,कला और रचनात्‍मकता के रूप में सात रंग भरने की कोशिश की है। 



पुस्‍तक में आठ अध्‍याय हैं। पहला अध्‍याय में भारत की जेलों की स्थिति बताई गई है। इसमें आंकड़े देकर बताया गया है कि दुनिया में भारत पांचवां देश है जिसमें सबसे अधिक लोग जेलों में हैं। यहां की कुल 1400 जेलों में साढ़े पांच लाख से अधिक लोग बंद हैं। ( ये 2022 के आंकड़े हैं) दुनिया में कुल एक करोड़ से अधिक लोग जेलों में हैं। भारत के आगे अमेरिका,चीन, रूस और ब्राजील ऐसे देश हैं जहां सबसे अधिक लोग जेलों में हैं। भारत के कैदियों में सबसे अधिक 18 से 34 साल के युवा हैं। इनमें भी अधिकतर ऐसे हैं जो पहली बार जेल गए हैं। यह अध्‍याय भारत में जेलों की स्थिति,ब्रिटिश काल के जेल नियम, उनमें सुधार के लिए उठाए गए कदमों की जानकारी देता है। कुछ आंकड़े चौंकाने वाले हैं जैसे अभी तक जेलों के नियम ब्रिटिश काल में बने प्रिजन एक्‍ट के अनुसार ही हैं। 2023 में इनमें सुधार के लिए कानून बनाए गए हैं जिन्‍हें अभी लागू नहीं किया गया है। अंग्रेजों का प्रिजन एक्‍ट ही जेल मैनुअल कहा जाता है। कुछ नियम कानून राज्‍यों ने अपने बनाये हैं क्‍यों कि जेल राज्‍यों के तहत आता है। यह जानकारी भी रोचक है कि अधिकतर जेलें ब्रिटिश काल की ही बनी हैं। 

पुस्‍तक का दूसरा अध्‍याय अधिक महत्‍वपूर्ण है। इसमें जेलों में संचार की स्थिति,आपस में संपर्क के नियम-स्थितियां और उनके कैदियों पर पड़ने वाले असर का व्‍यापक विश्‍लेषण किया है और यह भी बताया है कि देश और दुनिया में कब-कब जेल की स्थितियां सुधारने के प्रयास किए गए लेकिन अभी तक उनका वांक्षित परिणाम सामने नहीं आया है। इस अध्‍याय को पढ़ते समय मुझे कई दशक पहले पढ़ी गई मेरी टाइलर की पुस्‍तक ‘ भारतीय जेलों में पांच साल’ की याद आ गई। उसमें बिहार की जेलों की जो स्थिति बताई गई है, आज भी भारतीय जेलों की कमोबेश वही हालत है। वर्तिका नंदा भी जेलों की स्थिति बताती हुई,यह भी लिखती हैं कि दुनिया के अन्‍य देशों में क्‍या स्थिति है और उनमें सुधार के लिए क्‍या नियम बने हैं। वह बैंकाक रूल्‍स को बहुत विस्‍तार से बताती हैं जिनमें कैदियों को संचार-संपर्क की सुविधा देने के लिए नियम बने हैं। वह बहादुर शाह जफर से लेकर जयप्रकाश नारायण तक की किताबों का उल्‍लेख करती हैं जिनमें जेल जीवन की कठिनाइयों की चर्चा है। भारत के अंतिम बादशाह बहादुर शाह जफर की मन:स्थिति को समझा जा सकता है जब उन्‍हें लिखने के लिए कागज कलम मुहैय्या नहीं कराई गई और उन्‍हें जेल की दीवारों पर अपनी शायरी लिखनी पड़ी। इन्‍हीं सभी कारणों ने ‘तिनका तिनका फाउंडेशन’ की नींव डाली और वर्तिका नंदा को जेल जीवन में सुधार के लिए आगे आना पड़ा। 

जेल का अकेलापन,बाहरी दुनिया से संवाद-हीनता,अपनी बात किसी से न कह पाने की विवशता कैदी को शारीरिक और मानसिक दोनों रूपों से तोड़ती है। इसी त्रासदी को दूर करने के लिए जेल रेडियो का विचार जेल सुधारकों के सामने आया। दुनिया में सबसे अधिक लोगों को जेल प्रताड़ना देने वाले ब्रिटेन ने ही इसे सबसे पहले समझा और अपने यहां जेल रेडियो शुरू किया। और अब तो भारत सहित कई देशों में यह काम हो रहा है। भारत में इसे शुरू करने का श्रेय वर्तिका नंदा को ही जाता है। उन्‍होंने इसे सामाजिक अध्‍ययन के रूप में लिया और पाया कि इससे कैदियों की एकरसता दूर होने के साथ ही दुनिया के संपर्क में आने से उनमें सकारात्‍मक सुधार आया। वह अपनी बेटी आरुषि की हत्‍या में सजा काट रही डा नुपुर तलवार और हरियाणा की महिला कैदी के अनुभव सहित कई कैदियों के अनुभव को भी केस स्‍टडी के रूप में सामने रखती हैं। वह सिर्फ जेल रेडियो के माध्‍यम से ही नहीं अन्‍य कई माध्‍यमों से भी कैदियों की मन:दशा सुधारने का काम करती हैं।  

नेल्‍सन मंडेला ने एक बार कहा था—‘ किसी देश को तब तक नहीं जाना जा सकता,जब तक उसकी जेलों को अंदर से न देखा जाए। किसी देश का आकलन इस बात से नहीं किया जाना चाहिए कि वह अपने देश के बड़े लोगों के साथ कैसा व्‍यवहार करता है, बल्कि इस बात से किया जाना चाहिए कि वह सबसे छोटे व्‍यक्ति के साथ कैसा व्‍यवहार करता है।‘ 

जेल में अपने जीवन का सर्वाधिक समय व्‍यतीत करने वाले नेल्‍शन मंडेला के नाम पर ही संयुक्‍त राष्‍ट्र संघ ने कैदियों के साथ व्‍यवहार के लिए आवश्‍यक नियम बनाये हैं जिन्‍हें मंडेला रूल्‍स कहा जाता है।इसके नियम 63 के तहत रेडिया को जेल में संचार के लिए महत्‍वपूर्ण माना गया है। यह पुस्‍तक न सिर्फ जेल को समझने में मदद करती है बल्कि वहां के माहौल को सुधारने में जेल रेडियो स्‍थापित करने और उसे कैदियों लिए उपयोगी बनाने और उनकी भागीदारी सुनिश्चित करने के लिए किए गए प्रयासों को भी रेखांकित करती है। यह पुस्‍तक समाजशास्त्रियों के साथ ही पत्रकारिता के छात्रों के लिए भी उपयोगी हो सकती है।