Featured book on Jail

The Indecent Representation of Women (Prohibition) Act, 1986: MLE

Oct 2, 2025

The Indecent Representation of Women (Prohibition) Act, 1986: MLE

The Indecent Representation of Women (Prohibition) Act, 1986 aims to prohibit the indecent portrayal of women in media and advertisements, safeguarding their dignity and promoting gender equality.

Purpose of the Act

The Indecent Representation of Women (Prohibition) Act, 1986 was enacted to address the derogatory and indecent portrayal of women in various forms of media, including advertisements, publications, and artworks. The Act seeks to protect women's dignity and prevent sexual objectification by prohibiting representations that are offensive or harmful to public morals. 

India Code

Key Provisions

Prohibition of Indecent Representation: The Act prohibits the publication or exhibition of any advertisement that contains indecent representation of women. This includes any form of commercial communication that portrays women in a degrading manner. 

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Scope of the Act: It extends to all forms of media, including print, broadcast, and digital platforms. The Act applies to various materials such as books, pamphlets, films, and photographs that depict women indecently. 

2

Definitions: The Act provides specific definitions for terms like "indecent representation," which refers to any portrayal of a woman's figure or body in a manner that is derogatory or likely to corrupt public morality. 

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Penalties: Violations of the Act can lead to penalties, including fines and imprisonment. The Act empowers law enforcement to investigate and seize materials that violate its provisions.

Links:  Indecent Representation of Women Prohibition Act 1986


Sep 29, 2025

RADIO IN PRISON: NEWSLETTER: 2025


This newsletter is dedicated to the book- Radio in Prison- published by National Book Trust, India in February, 2025.









 Links from the website: 

WRITING A LETTER: Self Expression: VN Ki Paathshala

 September 29, 2025: Paper: IOJ

Instructions:

Write a reflective Letter to yourself, either to the person you were 10 years ago or to the person you wish to become 10 years from now.

The letter must be personal yet thoughtful.

It can follow any tone, emotional, humorous, philosophical, poetic, or conversational.

There is no word limit, but sincerity is expected over formality.

The assignment is to be done individually.

Purpose of this activity:

In today’s session, instead of looking outward at news, headlines, or current affairs, we turned our gaze inwards. Each student was asked to step into a different timeline, either revisiting their younger self or imagining their future self, and write a letter that speaks with honesty, vulnerability, and introspection.


This exercise is not merely about writing. It is about archiving emotions, acknowledging growth, and understanding identity through words. In journalism, we often tell the stories of others today; the students have become both the storytellers and the subjects.


Through this activity, we aim to:

Encourage self-awareness and emotional clarity,

Build a stronger individual voice, essential for journalistic expression,

And most importantly, help students realise that every life holds a story worth documenting, starting with their own.

Sep 27, 2025

International Literature Festival at Patna: Sahitya Akademi: Unmesha: 26th September, 2025

26th September, 2025 : International Literature Festival at Patna


Date: 25- 28 September, 2025
Venue: Sahitya Akademi: Festival of Expression (अभिव्यक्ति का उत्सव): Unmesha, Patna
Vartika Nanda's session: 26 September, 2025

Hall Name: Sankaradeva

Topic: Social Media and Literature

Speakers:

Gourahari Das

R. Venkatesh

Utpal Kumar

Vartika Nanda

( Anant Vijay and Ajay Singh could not come )


हॉल का नाम: शंकरदेव

विषय: सोशल मीडिया एवं साहित्य

वक्ता:

गौरहरि दास

आर. वेंकटेश

उत्पल कुमार

वर्तिका नंदा

(अजय सिंह

अनंत विजय)



Sahitya Akademi: Festival of Expression (अभिव्यक्ति का उत्सव): Unmesha in Patna: पटना के ज्ञान भवन, सम्राट अशोक कन्कलेव केंद्र में - सोशल मीडिया और साहित्य- के सत्र में भागीदारी का सुंदर अवसर मिवा. 25 से 28 सितंबर को होने वाला यह आयोजन दरअसल International Literature Festival है जिसमें दुनिया के कई देशों से लेखक और साहित्यकार आए. 
हमारे सत्र की अध्यक्षता गौरहरि दास ने की. वक्ता के रूप में उत्पल कुमार और आर वेंकटेश शामिल हुए. उद्घोषणा का जिम्मा दूरदर्शन की जानीमानी पूर्व ऐंकर जसलीन बोहरा ने निभाया.
मैेने अपनी बात का संदर्ध दूरदर्शन के दौर से शुरु करते हुए निजी मीडिया, बाजारवाद, नए प्रकाशकों की आमद और छोटे शहरों से आते प्रभावशाली लेखकों तक- कई मुद्दों को समेटा. तिनका तिनका की जेल की किताबों पर भी चर्चा कर सकी- ऐसी किताबें जिनके पास बेस्ट सैलर कहलाने के लिए प्रोयजक नहीं है लेकिन दमदार साफनियति है. 
अनंत विजय और अजय सिंह किसा कारणवश न आ सके. उनकी कमी खली. 
साहित्य अकादमी ने इस आयोजन को बहुत सुंदर तरीके से किया. सुरुचिपूर्ण और व्यवस्थित आयोजन के लिए आपके बधाई. साधुवाद


पटना में उन्मेष के बहाने साहित्य अकादमी ने देश-विदेश से साढ़े पांच सौ से ज्यादा कवियों और लेखकों का एक ऊर्जावान मंच तैयार किया है। एक खास बात ये भी है कि अभिव्यक्ति के इस उत्सव को जिस सम्राट अशोक कन्वेंशन सेंटर में आयोजित किया गया है, वहां पर बिहार की कला और संस्कृति की भी जीवंत तस्वीर देखी जा सकती है। 'उन्मेष' में 'सोशल मीडिया और साहित्य' विषय पर शुक्रवार को आयोजित सत्र में वर्तिका नंदा ने कहा कि साहित्य के लिए इंटरनेट मीडिया च्यवनप्राश की तरह है। इस मंच पर अनजाने लेखकों के लिए पन्ने बन गए हैं। इससे छोटे प्रकाशकों को बड़ी आबादी तक बात पहुंचाने का जरिया मिला है। अंगुलियां दौड़ने से छोटे शहरों से बड़े शहरों की दूरी कम हुई है। लेखकों को नया आकाश मिला है। 

वर्तिका ने कहा कि सोशल मीडिया ने यह आभास कराया है कि आप ही सबकुछ हैं। अब हर कोई लेखक, कवि, कलाकार और प्रकाशक बन गया है। जिनके पास प्रतिभा है, उनकी पूछ हर स्थान पर हो गई है। सोशल मीडिया ने सिटिजन जर्नलिस्ट पैदा किए हैं। अच्छा यह है कि प्रतिक्रिया तुरंत मिलने लगी। समस्या ये है कि एक ही दिन कई लेखकों की किताब बेस्ट सेलर हो जाती है, यह कैसे संभव है? ऐसे लोग भी बड़े लेखक बन गए हैं, जो लिखने के अलावा कुछ भी कर सकते हैं। सत्र की अध्यक्षता गौरहरि दास ने की। वक्ता के रूप में उत्पल कुमार और आर वेंकटेश शामिल हुए। उद्घोषणा का जिम्मा दूरदर्शन की जानीमानी पूर्व ऐंकर जसलीन बोहरा ने निभाया।

Panelists: 



In Press:












Photo Courtesy: Amit Anand, Akshay Pandey, Prabhat Ranjan and R. Venkatesh





Sep 24, 2025

Principles of writing news

 

The language of news writing in journalism emphasizes clarity, conciseness, and objectivity, using short, simple sentences and formal, factual vocabulary to inform the widest possible audience. Different aspects are taken into consideration while writing a news piece but the key role is played by the language of news. News is written keeping in mind different variables such as Topic, Participants, relationship and Purpose. This is what makes the news more sensible and prominent. 


24 September, 2025: Tinka Tinka Tihar completes 12 years

 12 साल का हुआ तिनका तिनका तिहाड़ आज। 2013 में आज ही के दिन देश के गृह मंत्री ने इस किताब को AAPCAA कॉन्फ्रेंस में दिल्ली के विज्ञान भवन मैं विमोचित किया था। आप सबके प्रति आभार के साथ यह वीडियो प्रस्तुत है।

Special gratitude: Vimla Mehra (IPS), DG, Delhi Prisons






Sep 19, 2025

Practical Class: IOJ

 Date: 19.08.2025

Today, the class looked at written scripts that they had submitted in the previous class. They are asked to give their suggestions and mark them out of 20.

Sep 13, 2025

August, 2025: Visit to District Jail, Agra on the completion of 6 years of Tinka Jail Radio


Paathshala with a difference: Education and musical renditions that are transforming lives through Tinka Jail Radio

Professor Vartika Nanda


Visit to District Jail Agra

It was a moody, overcast evening when I arrived at District Jail, Agra. The entrance stood stoic and familiar—unchanged since my first visit back in 2019, its weathered facade quietly echoing the passage of time. But as I stepped inside, the stories of change through the Tinka Jail Radio made me feel more confident as well as emotional. I have come here today to witness these changes right in front of me. As someone who had conceived and executed this jail radio, this is a moment of pride, to see how the radio has flourished.

This occasion marked six remarkable years of Agra Jail Radio, a pioneering initiative by our Tinka Tinka Foundation (TTF) of which I am the founder. This jail radio has redefined communication in the prison. 

The visit also commemorated one year since the release of the ICSSR-backed report, in which Agra Jail Radio emerged as a central force for change. Released in 2024 by the Chief Secretary of Uttar Pradesh, the report evaluated my extensive study on the communication needs of women inmates and their children. The findings were not only acknowledged—they were celebrated. The study was officially recognised as outstanding, highlighting the critical role of prison radio in fostering dialogue, emotional healing, and social reintegration. 

Link: Dr. Vartika Nanda: Media Educator & Prison Reformer: उत्तर प्रदेश के मुख्य सचिव ने डॉ0 वर्तिका नंदा की ‘उत्तर प्रदेश के विशेष संदर्भ में भारतीय जेलों पर आधारित विस्तृत शोध रिपोर्ट का विमोचन किया: 23 August, 2024

Now in 2025, the jail has evolved in subtle yet significant ways. The most striking innovation introduced in this jail in 2019 was the jail radio-a vibrant thread of sound and storytelling that weaves through the prison’s daily rhythm. It’s more than just a broadcast; it’s a voice for the voiceless, a platform for expression, and a surprising symbol of hope in the jail.  

Commemorating Six Years of Agra Jail Radio: A Journey of Voice and Reform

My recent visit to District Jail, Agra, holds profound significance. It was not merely a celebration- it was a tribute to resilience, transformation, and the power of unheard voices. 

Conversation with the Jail Superintendent

Once inside the jail premises, I had the opportunity to meet Superintendent Hari Om Sharma, who has been at the helm of District Jail, Agra, for the past two years. Our conversation organically gravitated toward the evolving role of jail radio—a subject close to both our hearts.

Superintendent Sharma spoke with conviction about howTinka Jail Radio has become an integral part of the prison’s daily functioning. I was happy to observe that from broadcasting crucial announcements to hosting programs on literacy and education, Tinka Jail Radio has emerged as a silent yet powerful ally in prison management. He deeply admired its role in motivating inmates to pursue academic goals, often rekindling a long-lost desire to learn. 

https://www.youtube.com/shorts/boRXgj-0h_A

The Rhythm of Broadcast

Each afternoon, from 2:30 pm to 4:30 pm, the atmosphere in District Jail, Agra, hums with life. Jail Radio takes to the airwaves, offering inmates a daily dose of connection, creativity, and calm. On special occasions, the broadcast stretches longer—sometimes four, even five hours—turning into a celebration of voices and stories that echo through the prison corridors.

Even on holidays, the radio remains a faithful companion, playing for at least three hours to ensure that no day passes in silence. Whether it's music, messages, or moments of reflection, Jail Radio has become a heartbeat in the jail—a rhythm that brings comfort, continuity, and a sense of belonging to those behind bars.

Expansion of Radio Jockeys: Voices Behind the Bars

When Agra Jail Radio first went live in 2019, it began modestly- with just three radio jockeys who dared to lend their voices to a new experiment in prison communication. Today, that number has grown to eight, reflecting not just expansion, but evolution. The original trio has since been released, and five new RJs have stepped into their shoes: Uday Singh, Ravindra, Bharat, Kuldeep, and Sachin.

During my visit, I got the opportunity to meet four of them—all undertrial inmates, each carrying a unique story and prior experience in broadcasting. Their familiarity with the mic predates their incarceration, making their transition into jail radio both natural and transformative.

For these men, jail radio is far more than a daily routine. It’s a meaningful engagement—a way to reclaim identity, channel creativity, and connect with others. It offers recreation, yes, but also redemption. In a space often defined by silence and confinement, the radio studio becomes a sanctuary of sound, purpose, and possibility. For many, it is nothing short of a lifeline.

Agra Jail Radio Playlist: https://shorturl.at/JBCPX


Music Requests and the Quiet Power of Learning

Every day, nearly 30 song requests pour into the jail radio station-each one a handwritten note, a small but powerful act of expression. Since 2019, Tinka Jail Paathshaala has upheld a simple yet transformative tradition: all music requests must be submitted in writing. What began as a logistical choice has blossomed into an unexpected educational initiative.

This practice has quietly nurtured literacy among inmates. Over time, handwriting has improved, and many prisoners—especially those who were previously illiterate—have been inspired to learn basic grammar and writing skills. The desire to hear a favorite song has become a gateway to learning, self-improvement, and dignity.

In a space where formal education often feels out of reach, these handwritten requests have become symbols of progress. They reflect not just musical preferences, but personal growth—proof that even behind bars, the human spirit continues to seek connection, creativity, and change.

Documenting Change: The Power of Programming

A dedicated register is meticulously maintained to chronicle every broadcast aired through Agra Jail Radio—a quiet testament to the discipline and purpose behind the initiative. Among the wide array of programs, those focused on literacy, education, and legal awareness consistently emerge as the most popular.

Radio in Prison: National Book Trust, India

Coming back, inmates and the jail staff were excited to hold copies of Radio in Prison, published by NBT India. They were aware that District Jail, Agra is at the centre of this book, as the most powerful study. Buy Radio in Prison Towards New-Age Reform Book Online at Low Prices in India | Radio in Prison Towards New-Age Reform Reviews & Ratings - Amazon.in

The impact:

Agra Jail Radio has become more than a medium—it is a movement. It offers inmates a platform to express, connect, and rebuild. For women inmates especially, it has opened a channel to share their stories, reach their children, and reclaim their identities. In a space often defined by silence and isolation, the microphone has become a lifeline. Jail Superintendent also shared how the radio has been instrumental in addressing behavioral challenges. Programs designed to tackle indiscipline and aggression have shown promising results, fostering a more reflective and cooperative environment among inmates. What was once a tool for communication, has now become a catalyst for transformation.

Undoubtedly, the influence of the jail radio on the prison environment has been profoundly positive, fostering informed dialogue, reducing anxiety, and encouraging inmates to engage with their rights and responsibilities.

Music, too, plays a vital role in this ecosystem of reform. Among the most requested songs are the emotionally charged classics “Chitthi Aayi Hai” and “Sandese Aate Hain”—melodies that speak of longing, connection, and the enduring bond with loved ones beyond the prison walls. These requests reflect not just musical taste, but the deep emotional undercurrents that run through the lives of those incarcerated.

Together, these programs and songs form a tapestry of healing and hope—documented, preserved, and played back each day as a reminder that even in confinement, transformation is possible. Some of these transformation based stories have become a part of Tinka Jail Radio podcasts, which are also not funded by anyone like the other tasks taken up by TTF. 

This visit was a moment to reflect on how far we’ve come—and how much further we must go. It reaffirmed the belief that communication is not a luxury, but a necessity. And in the echo of every broadcast, there lies the promise of reform, dignity, and hope.

Agra Jail Radio has given rhythm to silence, purpose to confinement, and dignity to those often forgotten. Each program, each song request, each handwritten note is a testament to the resilience of the human spirit and the power of communication to heal and uplift.

Future Initiatives: Envisioning the Next Chapter

During my conversation with Superintendent Hari Om Sharma, I proposed that a special program be curated to mark Teachers’ Day—an occasion that resonates deeply within the educational ethos of the jail radio initiative. The idea was met with enthusiasm, and discussions have already begun to shape new concepts that will celebrate the spirit of learning and mentorship within the prison community.

These upcoming initiatives aim to further elevate the educational and cultural impact of Agra Jail Radio. From thematic broadcasts honoring educators, to inmate-led storytelling sessions about transformative teachers in their lives, the radio is poised to become an even more dynamic platform for reflection, growth, and celebration.

As the radio continues to evolve, its role as a bridge between confinement and creativity grows stronger—offering not just information, but inspiration.

Website Link of Agra Jail Radio: https://tinkatinka.org/jail-radio/

Reflections on the Journey

As I stepped out of the gates of District Jail, Agra, a quiet sense of fulfillment washed over me. What began in 2019 as a modest experiment—a handful of voices and a borrowed microphone-has, by 2025, blossomed into a vibrant platform of hope, creativity, and transformation.

This journey is far from over. In fact, it is only just beginning. This radio and several other radios established by TTF, boast to be the most systematic prison radios in India. Despite no financial support, these radios have proven their worth. With every passing day, the radio reaches deeper into the hearts of inmates, staff, and reformers alike—poised to scale new heights, spark new ideas, and continue rewriting the narrative of incarceration in India. 

Young minds are invited to join as interns and delve into a world of emotions, helping the society further. www.tinkatinka.org

​#agrajailradio #oldestprison #tinkatinkafoundation #indianprisonreformer #vartikananda



Sep 10, 2025

BREVITY: IOJ: 2025

 BREVITY

(Disclaimer: This content has been compiled by the students from various sources. These notes are to be used purely for academic purposes. No copyright infringement intended. The blogger will not be responsible in any manner whatsoever, regarding the authenticity of the information included in the notes.)

DEPARTMENT: B.A. (Hons) Journalism

SEMESTER: I

PAPER: INTRODUCTION TO JOURNALISM

UNIT: I

TOPIC: Brevity

Time Period: The mentioned topic was discussed in class in the fourth week of August, 2025. 

Brevity refers to the quality of being concise and to the point, particularly in writing. In the context of news writing, brevity is crucial because it allows journalists to deliver information quickly and clearly, ensuring that readers can grasp essential facts without unnecessary details. This quality is essential for capturing audience attention and maintaining engagement in fast-paced media environments. It is a highly prized attribute of communication in journalism often associated with clarity which is a major goal in communications. It is the quality or state of being brief in duration. When applied to writing, it means using as few words as possible to communicate a message or idea. This can be done through the use of short sentences, active voice, and specific language. 

         However, brevity does not mean sacrificing quality or accuracy. A journalist must still be able to tell a story and provide context in a limited amount of space. But with practice, it is possible to communicate effectively without being wordy. Thus, brevity should be proportional, neither leaving out anything necessary nor including more than is needed.

Importance of Brevity:

Brevity enhances the effectiveness of hard news writing by allowing journalists to present key information quickly and clearly. In a world where readers often skim content, concise writing ensures that essential facts are communicated without unnecessary details. This helps maintain reader engagement and ensures that the most important points are highlighted right from the start.

Journalists use various techniques to maintain brevity while conveying important details, such as employing the inverted pyramid structure, which places the most crucial information at the beginning of the article. They also focus on using active voice, short sentences, and eliminating jargon or filler words that do not contribute to the message. These strategies help create a tight narrative that delivers essential information efficiently.

In today's digital news landscape, brevity significantly impacts reader comprehension by catering to shorter attention spans and fast-paced consumption habits. Readers are more likely to engage with articles that get straight to the point and present information succinctly. This trend emphasizes the need for journalists to hone their skills in concise writing, ensuring that critical information is easily digestible while maintaining clarity and impact.

Simplifying Complex Ideas

Simplifying complex ideas is a crucial aspect of concise writing in journalism. To achieve this, journalists can employ several techniques:

Identify the key elements of the story and focus on those: By distilling the story down to its essential elements, journalists can avoid unnecessary tangents and keep the narrative focused. This involves identifying the main theme, key players, and critical events that drive the story forward.

Use analogies and metaphors to explain complex concepts: Analogies and metaphors are powerful tools for making complex ideas more relatable and accessible to a wider audience. By drawing parallels between unfamiliar concepts and everyday experiences, journalists can create a deeper understanding of the subject matter.

Avoid using technical jargon or overly complex terminology: Using technical jargon or overly complex terminology can alienate readers who are not familiar with the subject matter. Journalists should strive to use clear and concise language that is free from technical terms unless they are essential to the story.

Using Language Effectively

Using language effectively is critical to concise writing in journalism. To achieve this, journalists can employ several techniques:

Use active and descriptive verbs to bring the story to life: Verbs are the engines of language, and using active and descriptive verbs can add depth, nuance, and emotion to a story. This helps to create a more immersive experience for the reader.

Use concise and clear language to convey the message: Clear and concise language is essential for effective communication. Journalists should avoid using ambiguous or vague terms that can confuse or mislead readers.

Avoid using clichés and overused phrases: Clichés and overused phrases can make a story feel stale and unoriginal. Journalists should strive to use fresh and innovative language to convey their message.

Challenges of Brevity in Journalism

While brevity is essential in journalism, it also presents several challenges. Journalists must balance the need for conciseness with the need to provide sufficient context and detail. This can be particularly challenging when dealing with complex or nuanced topics.

To overcome these challenges, journalists can employ several strategies, including:

Conducting thorough research to gain a deep understanding of the subject matter

Creating an outline to organize the story and ensure clarity

Using clear and concise language to convey complex ideas

Conclusion:

Brevity in journalism is a crucial aspect of effective news reporting. By focusing on clear, concise writing, journalists can deliver the most important information to their readers in a straightforward, easily and digestible manner. Brevity in journalism allows readers to quickly grasp the essence of a story, and stay informed about the world around them.

Links for notes on Brevity from the year: Year 2023

https://vartikananda.blogspot.com/2023/02/attribution-brevity-on-record-off-record.html 


Sep 8, 2025

IIM, INDORE: 6 September: Speaker: हिन्दी पत्रकारिता- चुनौतियां और अवसर

Moderation: Professor Himanshu Rai, Director, IIM, Indore


Panelists:  Nitishwar Kumar, IAS(Additional Secretary, Ministry of Women and Child Welfare, Government of India), Jai Prakash Pandey ( Journalist, Sahitya Tak, India Today Group) and Professor (Dr.) Vartika Nanda.



इस चर्चा में भारत सरकार के एडीशनल सेक्रेटरी श्री नीतीश्वर कुमार, टीवी टुडे/इंडिया टुडे ग्रुप के संपादक श्री जयप्रकाश पांडेय और दिल्ली विश्वविद्यालय के लेडी श्री राम कॉलेज की प्रो. वर्तिका नंदा ने विचार साझा किए। चर्चा में यह भी सामने आया कि किस प्रकार सोशल मीडिया ने हिंदी को नई ऊर्जा दी है और वैश्विक मंचों तक पहुँचाने का माध्यम बना है। भाषा की गरिमा बनाए रखते हुए उसे सरल और प्रभावी ढंग से प्रस्तुत करना आज की सबसे बड़ी आवश्यकता है। पूरे संवाद का अनुभव अत्यंत प्रेरणादायक और उत्साहवर्धक रहा, जिसने हिंदी पत्रकारिता के भविष्य को लेकर आशा और विश्वास दोनों को मजबूत किया।

यह कार्यक्रम आईआईएम इंदौर में हिंदी भाषा के गौरव और उसके प्रसार के प्रति हमारी प्रतिबद्धता को दर्शाता है। हम सभी भारतीय भाषाओं को संरक्षित और प्रोत्साहित करने के लिए समर्पित हैं।

x




Sep 3, 2025

RADIO IN PRISON: CELEBRITIES HOLDING THE BOOK

 RADIO IN PRISON: CELEBRITIES HOLDING THE BOOK


Dr. Jitender Singh, Union Minister of State (independent in-charge) for Science and Technology, browsing at RADIO IN PRISON at book national fair 2025.

Shri. Manoj Sinha, Lieutenant Governor, Jammu and Kashmir holding RADIO IN PRISON in hands with shri. Yuvraj Malik, director, NBT, India at international book fair, 7th February 2025


3rd September, 2025: Aaj Tak
Shweta Singh holding RADIO IN PRISON,









3rd September, 2025: Aaj Tak
Shams Tahir Khan holding RADIO IN PRISON,


4th September, 2025
Keshav Chandra, IAS, Chariman, NDMC holding radio in prison







Aug 30, 2025

Introduction to Journalism: Batch 2028-29

"Introduction to Journalism" is a core paper in BA Honours Journalism course of Delhi University. There are 36 students in the class of Journalism at Lady Shri Ram College. Classes started from 4th August. Here is the feedback of the students. 

Aug 25, 2025

ATTRIBUTION: IOJ

(Disclaimer: This content has been compiled by the students from various sources. These notes are to be used purely for academic purposes. No copyright infringement intended. The blogger will not be responsible in any manner whatsoever, regarding the authenticity of the information included in the notes.)

DEPARTMENT: B.A. (Hons) Journalism

SEMESTER: I

PAPER: INTRODUCTION TO JOURNALISM

UNIT: I

TOPIC: Attribution

Time Period: The mentioned topic was discussed in class in the fourth week of August, 2025. 

Journalists rely on a range of sources to get the facts that are based on evidence or proof. Thus, they are expected to provide shreds of evidence on whatever they are reporting. In journalistic writing, these shreds of evidence come in the form of videos, pictures, recordings, quotes and attributions. 

Attribution is stating who said something. Attribution is essential in all the media, including radio and television. Journalists do it so that their readers or listeners can know who is speaking or where the information in the story comes from. It can be used for both spoken and written information. 

It simply means telling readers where the information in the story comes from, as well as who is being quoted. It includes using a source’s full name and job title if that is relevant.

IMPORTANCE OF ATTRIBUTION

Attribution is very important in media writing; it helps to establish an objective tone and adds credibility to an article. One must not keep out readers in the dark and hence attributing the information adds extra weight to it. Attribution gives stories a perspective. It tells readers how we know what we know. It is important to give credit to the person or group who spent the time researching and writing in order to provide that information. It allows readers to find the source later if they want to read it themselves.

Learning the critical role attribution plays within the craft is one of the true building blocks necessary to become a strong, ethical reporter and hence effective use of attribution is a matter both of journalism ethics and of strong writing.

Some examples of different kinds of attribution:

TYPES OF ATTRIBUTIONS

“On-the-record” attribution means that everything the source says may be published and quoted directly, and the source may be fully identified by name and title. Reporters should try to keep as much as possible of every interview on the record. This allows readers to see or hear the source’s exact words and know who the source is.

“Off the record” is the final level of attribution. It generally means a source’s information cannot be used, but that is often misunderstood. Some people say they are speaking off the record when they really mean they are speaking in the background. Also, reporters and sources sometimes disagree as to exactly what “off the record” means. Reporters, however, sometimes use off-the-record information as leads to other sources. Almost every secret is known by several people, sometimes hundreds of people. Once reporters know what they are looking for, they usually can locate public records or sources who can verify the information on the record or on background. 

“On background,” which is sometimes referred to as “not for attribution,” means the reporter may quote the source directly but may not attribute the statements to the source by name. The reporter may describe the source by her position. For example,  Patrick E. Tyler of The New York Times used on-background sources for a story exposing U.S. military assistance to Iraq during its war against Iran. Tyler reported the United States had covertly provided intelligence and battle plans to Iraq even though U.S. officials knew Saddam Hussein was using chemical weapons against both Iranian troops and civilian rebels inside Iraq. Much of Tyler’s story was attributed to “senior military officers with direct knowledge of the program” or “former Defense Intelligence Agency officers” who were willing to talk only on the condition that they not be identified.

“On deep background” is a variation of the backgrounder. This level of attribution is sometimes called the Lindley Rule, named after Ernest K. Lindley, a Newsweek columnist who used it during the Harry Truman administration to persuade U.S. leaders to discuss military and diplomatic affairs. A source on deep background may not be quoted directly and may not be identified in any way. A reporter must publish the information without any attribution or with a phrase like, “It has been learned that. . . .” Unless reporters have a high degree of confidence in the source and the information and the approval of their supervisors, they should stay away from information given on deep background.

WHEN TO ATTRIBUTE

Any time the information in your story comes from a source and not from your own firsthand observations or knowledge, it must be attributed. A good rule of thumb is to attribute once per paragraph if you are telling the story mainly through comments from an interview or eyewitnesses to an event. It might seem repetitive, but it’s important for journalists to be clear about where their information originates.

Example: The suspect escaped from the police van on Broad Street, and officers captured him about a block away on Market Street, said Lt. Jim Calvin.

ATTRIBUTING FACTS AND OPINIONS

There are some things which are universally accepted as true, for example that the world is round, that Tuesday follows Monday, that Fiji is in the Pacific. But there are also things which people want you to believe are true but which are either not provable or are lies. These people may not knowingly tell a lie, but many people are careless with the truth.

Also, situations may change, so that the truth at one moment may be wrong the next. Attribution helps you to overcome some of these problems. Attribution is the act of specifying who said what.

If you attribute the words to the person who said them, you do not have to prove or disprove the truth of their words; you simply report them. Also, people judge what is said by the person who says it. Statements made by people in authority carry more weight than statements made by other people.

ETHICS

Attribution is a journalist's way of sourcing the information in their piece. This can come from all different ways, including quotes to paraphrasing. Any information that is provided outside of a journalist's personal observations needs to be properly attributed in any type of article. This prevents any fraud, copyright infringements, and helps the writer be clear and precise about their data.

Journalists' ethical code normally addresses the issue of attribution, which is sensitive because in the course of their work journalists may receive information from sources who wish to remain anonymous. Divulging the identity of a confidential source is frowned upon by groups representing journalists in many democracies. In many countries, journalists enjoy the same protection under the law as all other citizens, and as such may be required to divulge their sources in the course of a criminal investigation as any other citizen would be. Even in jurisdictions which grant journalists special legal protections, journalists are typically required to testify if they bear witness to a crime.

In conclusion, by properly attributing information to its sources, journalists can maintain the public trust and provide with a clear understanding of where the information came from. 


Weekly Report: IOJ: 2025

 Week from 4th August 2025

Subject: Introduction to Journalism

Teacher - Vartika Nanda


Topic Covered: Definition of News

Discussed the meaning and various interpretations of "News"

Comparing definitions from different scholars and media organizations.

Emphasized that news should inform, educate, and sometimes entertain.

In-Class Task

Write a 200-word descriptive piece on “Your First Day of College”

Deadline: 12:40 AM, 4th August 2025

Assignment Details

Write 5 Best Possible Definitions of News 

Research and Write on the Nature of News 

Write About the Ingredients of News

Students who were allotted the respective topic by ma’am-:

Name of the students

Topic alloted

Nibedita and Samya

News: meaning, definition and nature; Ingredients of news


Students who volunteered for the particular topics-:

Name of the students

Topic

Avira and Khushi 

The news process

Geet

Yellow journalism

Aadhya 

Embargo



Name of the Student 

Topic

Agrima and Ayushi

Hard news and Soft news



Week from 11th August

Topics to be discussed 

Definition of News

Nature of News

Ingredients of News

Hard News and Soft News

Weekly report

Assignment 1 (Describe in 200 words about your first day in college)

Assignment 2 (Write in 100 words that what you have understood in hard news and soft news)

Verification of News

Assignment - Note about verification in 50 words 

Assignment - What is the amount of verification that we witness on social media platforms

Week from 18th August

Topic Covered: 

Discussed the meaning of, and differences between Hard and Soft news 

Components of news and explanation of each component 

Explanation of Embargo with examples


Topics to be Covered in the next class: 

Attribution 

Balance and fairness

Brevity 


Responsibilities assigned:


Document on balance and fairness

Riya Singh and Priya 

Structure of ‘use of internet’ 

Vedika and Shreya 



Assignment Details

1. Write about hard and soft news in not less than 200 words in your notebook. Deadline- 21 August 2025

2. Write an essay on components of news, and include as many pointers as possible. Deadline- 25 August 2025

Practical Assignment Details

The class was divided into two groups: 


Group 1: 

LEADERS: Nibedita and Chandrani 

Create a handwritten newspaper with major focus on photographs and journalism 

Must not exceed 4 pages and can be made on A4/A3 sheets


Group 2:

LEADERS: Shagun and Priya

Create a handwritten newspaper with major focus on hard and soft news 

Must not exceed 4 pages and can be made on A4/A3 sheets


Duration- 1 month 


Week from 25 August  


Responsibilities Assigned: 

Chandrani - Brevity and Attribution

Priya and Riya - Balance and Fairness


Aug 21, 2025

LIVE REPORTING: MLE: 21 August

Historical Evolution of Live Reporting

Early Beginnings:

Live reporting began with radio broadcasts in the early 20th century, notably during World War II.

Edward R. Murrow’s live reports from London during the Blitz set a precedent for real-time war journalism.

Television Era:

The 1960s saw the rise of live TV coverage, including the assassination of JFK and the moon landing.

Satellite technology enabled global live broadcasts, such as the 1989 fall of the Berlin Wall.

Digital Revolution:

The 2000s introduced live blogging and streaming via platforms like YouTube, Facebook Live, and X (formerly Twitter).

Citizen journalism emerged, allowing anyone with a smartphone to report live from the scene.

Nature and Characteristics of Live Reporting

Definition: Real-time coverage of unfolding events, often without post-production or editorial delay.

Key Features:

Immediacy and spontaneity

High emotional impact

Unfiltered access to events

Requires improvisation and adaptability

Challenges:

Technical glitches

Incomplete information

Pressure to be first vs. pressure to be accurate

Impact of Live Reporting

Positive Impacts

Public Engagement:

Creates a sense of urgency and connection

Encourages civic participation and awareness

Transparency:

Reduces gatekeeping by traditional media.

Offers raw, unedited views of events.

Democratization of News:

Empowers citizen journalists.

Diversifies perspectives beyond mainstream narratives.

Negative Impacts

Misinformation Risks:

Speed often compromises verification

False narratives can spread rapidly

Emotional Manipulation:

Sensationalism may override substance

Can amplify trauma or panic during crises

Ethical Dilemmas:

Privacy violations (e.g., showing victims live)

Safety risks for reporters and subjects

Ethical Considerations:

Verification vs. Velocity:

Journalists must balance speed with accuracy

Use of backgrounders and fact-checking is essential

Consent and Sensitivity:

Avoid broadcasting distressing content without consent

Respect cultural and personal boundaries

Legal Boundaries:

Sting operations, phone tapping, and live coverage of trials raise legal and ethical concerns

Suggested Readings

Media Ethics Paranjoy Guha Thakurta Ethics in Indian journalism

Radio Journalism in India Dr. Vartika Nanda Evolution of radio and live reporting

News Writing and Reporting Bruce D. Itule & Douglas A. Anderson Techniques and structure of news

Censorium William Mazzarella Media, censorship, and public culture


Aug 19, 2025

किताब। विदेशों में हिन्दी पत्रकारिता। जवाहर कर्नावट। Book Review Vartika Nanda

In this thought-provoking Short from VN Ki Paathshala, Professor (Dr.) Vartika Nanda introduces a powerful book that explores the journey of Hindi journalism beyond India's borders. With veteran journalist Jawahar Karnawat at the center of the conversation, the video offers a glimpse into the vibrant legacy and challenges of Hindi media in foreign lands.



This isn’t just a book—it’s a bridge between cultures, languages, and generations. If you care about the evolution of journalism or the role of Hindi in global discourse, this Short is your perfect entry point.

Vartika Nanda: Book Review

In a world overflowing with noise, VN Ki Paathshala stands out as a sanctuary of substance—a space where stories breathe, voices matter, and journalism finds its soul.


Aug 18, 2025

Practical Classes: Newspaper Making: IOJ: 2025

Date: 18.08.2025 

Instructions: 

Gather newspapers (both English and vernacular papers) 

 Four pages long (A-3/ A-4) newspaper is to be made. 

Focus on photos from news reports, journalistic writing.

An eye-catching name of the newspaper is to be given.

Be creative. 

The practical activity is to be done in groups. (4-5 members) 

Purpose of this exercise: 

In today's practical session, our group 2 was divided into two groups to prepare a newspaper  filled with pictures. One group worked on the news and pictures from the Sports section while the other worked on Entertainment. We collected and cut out relevant pictures from newspapers we got, arranged them on sheets, and gave proper headings. Although we could not paste the pictures due to the unavailability of glue, we completed the layout. Through this activity, we learnt the importance of teamwork and most importantly understood how in both sports and entertainment, pictures play a powerful role in communicating news and stories more effectively than words alone.

GROUP1 AND GROUP 2

Students in Practical Group 1

Aadhaya Mahajan 

Aakriti Yati

Agrima Kamal

Avira Banerjee 

Ayushi Soni

Chandrani Mondal 

Chunit Tsomo

Geet Bandhu

Jiya Raj 

Khushi 

Kusum Saraswat 

Lavanya Shah 

Maanya Singh

Naisha Nagpal 

Navya Kaul 

Navya Sirohi

Nibedita Manna 


Students in Practical Group 2 

Redhima Pushkarna 

Riya Singh

Tanisha Sharma 

Priya Dey 

Shreya Yadav 

Samridhi Srivastava 

Srija Minz 

Rhea Sara Vinu 

Shagun Yadav 

Vedika Trivedi 

Samiya Kanojia 

Saranya Saha 

Yashi Sharma 

Shalini Sharma 

Sneha Jaiswal 

Payal 

Prisha Singh 



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