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RADIO IN PRISON: CELEBRITIES HOLDING THE BOOK

Aug 2, 2025

Orientation Day: Department of Journalism: LSR

Date: 2nd August, 2025

The Department of Journalism, Lady Shri Ram College, Delhi University, had the honor of welcoming veteran journalist Nidhi Razdan as the chief guest for our Orientation Day. She addressed the students with grace, confidence, and infectious energy, offering thoughtful guidance on shaping their future paths. The moment was deeply moving for me—both professionally and personally. Witnessing my former colleague from NDTV, who also happens to be from my alma mater IIMC, inspiring young minds, thrive with such elegance and purpose, filled me with pride and emotion. Professor (Dr.) Vartika Nanda


Report by Malvika Anand and Ayushi Rai


The Department of Journalism hosted its orientation for the incoming batch of first-year students with a warm and spirited welcome on August 2, 2025. The session began with an address by the department union, which introduced students to the department’s environment, academic journey, and student-led culture. Their welcome set the tone for the day, helping freshers feel comfortable and excited for what lies ahead. 



Following this, they introduced the Chief Guest, Ms. Nidhi Razdan, a distinguished Indian journalist, author, and media educator with over two decades of experience in broadcast journalism.

Ms. Nidhi Razdan addressed the students with a thoughtful and encouraging talk, setting the stage for meaningful conversation around journalism and its role in today’s world. She began by sharing her thoughts on the changing face of media and why journalism continues to matter, reminding students that “having knowledge is your biggest weapon.”

After her initial remarks, she invited students to ask questions, leading to an open and engaging dialogue with the new batch. Students posed thought-provoking questions such as how one handles fear and pressure in journalistic practice, and how integrity is maintained in the face of external influences. Responding with candour, she discussed key themes such as the role of journalism in a democracy, the rise of digital and citizen journalism, the challenges posed by misinformation and fake news, and the increasing influence of artificial intelligence on media practices.

Ms. Razdan also reflected on her journey as an LSR student and fondly recalled her first reporting assignment, which she undertook under the guidance of Professor (Dr.) Vartika Nanda, now the department’s Head.



Emphasizing the importance of media literacy, the need to question narratives, and the responsibility journalists hold in an age of information overload, her responses, grounded in experience, offered clarity and inspiration to students stepping into the field.

After the engaging interaction, Ms. Razdan was felicitated by Prof. Vartika Nanda as a gesture of appreciation for her valuable insights and for taking the time to guide and inspire the new batch. 

The orientation continued with an academic overview led by the department union, where they explained the structure of the Journalism programme, covering the distinction between core and additional papers. Their clarity and enthusiasm gave the freshers a deeper understanding of what to expect academically, while also underscoring the student body's active role in departmental functioning. Faculty members then took over to elaborate on key academic policies: Ms. Sneha Bhati introduced the IPAC (Internship, Projects, Apprenticeship and Community Outreach) and the attendance policy, while Ms. Suruchi Shirish provided details about the fourth-year extension under the UGCF structure. 



Students were also introduced to various departmental platforms and initiatives that extend beyond the classroom. The department’s flagship academic fest, Juxtapose, was presented as a vibrant one-day event that brings together media, ideas, and young voices across disciplines, a space for conversation, collaboration, a bit of chaos, and a whole lot of fun. Additionally, students were informed about the department’s two major publications: CounterTalk, the annual newsletter, and The Fourth Estate, the bi-annual journal, both of which serve as avenues for student expression, editorial experience, and journalistic inquiry.

As the session progressed, the union took a moment to formally introduce the freshers to the faculty members who form the academic backbone of the department. Each faculty member extended a warm welcome and shared a few words, helping students feel more connected and reassured as they stepped into this new phase.





Jul 31, 2025

Agra Jail Radio Completes Six Transformative Years Behind Bars

Agra, July 19, 2025:
Press Release  

Agra Jail Radio Completes Six Transformative Years Behind Bars

Jail Radio in the oldest jail building in India completes 6 years: 2025

Prison radio in District Jail Agra was launched on 31 July, 2024

Major boost to inmates especially during Covid-19 

Prompted Uttar Pradesh to initiate prison radios in other jails

Inmates selected and trained by prison reformer Vartika Nanda

Training for a new batch of inmates will start soon.

A magic entered the oldest jail building in India exactly six years ago in the form of the jail radio. It was this day today in 2019 when Babloo Kumar SSP, Shashikant Mishra, Jail Superintendent, and Professor (Dr.) Vartika Nanda, Tinka Tinka Foundation inaugurated the prison radio. The radio station was established with the aim of fostering positive communication and creative engagement among inmates. What began as a modest experiment has now become a vital part of prison life.Agra Jail Radio

A Platform of Expression and Hope
The radio was set up under the guidance of the Tinka Tinka Foundation, a leading organization working for prison reforms in India. It was conceptualized by Professor Vartika Nanda, Head. Department of Journalism, Lady Shri Ram College, Delhi University. Vartika Nanda - Wikipedia She  is also the founder of the Foundation. Her vision of Radio in Prison has turned into a powerful tool for rehabilitation and reform across various prisons in the country.

How is the prison radio working today

Starting with just three inmate radio jockeys (RJs), the initiative has grown steadily over the years. Today, four inmate RJs anchor the two-hour daily programming, which includes music, storytelling, poetry, inspirational content, and educational discussions—all created and presented by the inmates themselves. The radio station has become a trusted and therapeutic space in the prison, encouraging self-reflection and personal growth.

Official bite:

Today, the jail radio is running efficiently under the leadership of Shri Hari Om Sharma, Superintendent of this jail. According to him, “ this jail radio has proven to be a boon for the incarcerated souls. This is also playing a vital role in improving their mental health. ”

Who were the radio jockeys in 2019

At the time of the launch, female inmate Tuhina, a graduate from IIM Bangalore, and male inmate Uday, a postgraduate, were made radio jockeys. Later, another inmate, Rajat, joined them. Tuhina became the first female radio jockey in the jails of Uttar Pradesh. The scripts for the radio were prepared by the inmates themselves. 

New Voice Joins the Airwaves
This year marks a new milestone with the induction of a new RJ into the team, continuing the radio's tradition of nurturing talent behind bars. The inclusion symbolizes not just growth in numbers, but also the evolving confidence and enthusiasm among inmates to participate and contribute meaningfully.
The radio’s content remains entirely inmate-driven, with training and support provided through the Tinka Tinka Foundation. Prison authorities have also acknowledged the initiative’s role in improving mental health, reducing conflict, and building a sense of community in the jail.

Jail Radio and the research: 

Vartika Nanda’s research on the “Study of the condition of women inmates and their children in Indian Prisons and their communication needs with special reference to Uttar Pradesh” was evaluated as OUTSTANDING by ICSSR. This was released in Lucknow by Shri Manoj Kumar Singh (IAS), Chief Secretary, Uttar Pradesh and Shri P. V. Rama Sastry, Director General of Police/Inspector General Prison, Prison Administration and Reform Services, Uttar Pradesh in 2024.Jail Radio: Uttar Pradesh – Tinka Tinka Prison Reforms. Interestingly, Agra Jail Radio is an important part of this research. Also, Radio in Prison, published by NBT in 2024, also has this jail radio at its centre.Radio in Prison – Tinka Tinka Prison Reforms. This book was released by NBT Chairman Milind Sudhakar Marathe, along with Kumar Vikram, NBT’s Editor-in-Chief, PN Pandey, DIG Prisons (Agra Range), Mehak Kasbekar, Editor-in-Chief of Brut India, and Dr. Nanda herself in a grand ceremony at the international book fair in New Delhi in 2024. 

 Story in UP Tak: Agra Jail Radio: https://www.uptak.in/neighbouring-news/agra/story/4-prisoners-became-rjs-2-hour-program-the-full-story-of-the-amazing-6-years-of-jail-radio-in-agra-3194049-2025-07-31
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Agra Jail Radio: 6 years of systematic communication in the oldest jail building of India

t’s 1:30 PM in District Jail, Agra—a quiet hum fills the air as Uday, Prevendra, Bharat, and Kuldeep step into a familiar room where time transforms into connection and creativity. For the next three hours, this space is their sanctuary—a place they eagerly return to day after day.

ЁЯОЩ️ Welcome to the Jail Radio Room, nestled deep within the walls of this correctional facility in Uttar Pradesh. It’s not just a room—it’s a heartbeat of possibility. Here, incarcerated voices find rhythm, stories take flight, and prisoners become storytellers, broadcasters, and beacons of change. The microphone gives them something rare: a platform to express, to heal, and to hope.

Conceived and executed by India’s leading prison reformer, Prof. Vartika Nanda, this pioneering initiative was inaugurated on July 31, 2019 by  Babloo Kumar (IPS), SSP,  Agra and Shashikant Mishra, Jail Superintendent.

 When COVID-19 struck India, a nationwide ban on jail visitations was imposed—cutting incarcerated individuals off from their families and the outside world. It was during this period of isolation that the transformative power of prison radio was profoundly realized.

ЁЯУ╗ In the absence of physical connections, radio emerged as a lifeline. Within the prison walls, it became the primary source of information, reassurance, and entertainment—offering comfort to countless souls navigating uncertainty behind bars.

✨ It was amid this backdrop that the Tinka Model of Prison Radio began to take shape—an innovative concept driven by the need for emotional resilience and constructive engagement.

Later, in 2024, a detailed research report titled, “Study of the condition of women inmates and their children in Indian Prisons and their communication needs with special reference to Uttar Pradesh” conducted under the Indian Council of Social Science Research (ICSSR), was released in Lucknow by Shri Manoj Kumar Singh (IAS), Chief Secretary, Uttar Pradesh and Shri P. V. Rama Sastry, Director General of Police/Inspector General Prison, Prison Administration and Reform Services, Uttar Pradesh.

Today, Jail Radio at District Jail, Agra stands as an integral pillar of daily life within the prison—no longer a novelty, but a deeply embedded channel of communication, reflection, and reform.

ЁЯУЪ This transformation has been captured in the book Radio in Prison, published by National Book Trust (NBT), India in 2024. The book places Agra's Jail Radio at the heart of its narrative and highlights how the initiative has reshaped prison culture. It has contributed in the improving the mental well-being of inmates and has given them a creative engagement apart from providing them a much-needed identity.  Staff and inmates alike participate, promoting unity and positive communication within the prison ecosystem through this jail radio. 

Interestingly, this radio paved the way for establishing prison radios in Haryana and in District Jail, Uttarakhand by Tinka Tinka Foundation. Today, these jails have a better way of communicating with each other. 

Links: 
Jail Radio: Uttar Pradesh – Tinka Tinka Prison Reforms
рдЖрдЧрд░ा рдЬेрд▓ рд░ेрдбिрдпो। рддिрдирдХा рддिрдирдХा рдлाрдЙंрдбेрд╢рди। Voices behind Bars। District Jail, Agra। Uttar Pradesh - YouTube
Agra Jail Radio: For the inmates, by the inmates।Jail। Vartika Nanda - YouTube


Jul 27, 2025

Radio in Prison: Report on the book release: 03.03.2025

рджिрдиांрдХ: 03-02-2025

рд╕्рдеाрди: рд╡िрд╢्рд╡ рдкुрд╕्рддрдХ рдоेрд▓ा, рдк्рд░рдЧрддि рдоैрджाрди

рдЖрдпोрдЬрдХ: рдиेрд╢рдирд▓ рдмुрдХ рдЯ्рд░рд╕्рдЯ (NBT) рдФрд░ рддिрдирдХा рддिрдирдХा рдлाрдЙंрдбेрд╢рди

рдоुрдЦ्рдп рдЕрддिрдеि:

  • рдоिрд▓िंрдж рд╕ुрдзाрдХрд░ рдорд░ाрдаे (рдЕрдз्рдпрдХ्рд╖, NBT)

  • рдХुрдоाрд░ рд╡िрдХ्рд░рдо (рдк्рд░рдзाрди рд╕ंрдкाрджрдХ, NBT)

  • рд╢्рд░ी рдкी.рдПрди. рдкांрдбे (рдбीрдЖрдИрдЬीxxx, рдЖрдЧрд░ा рд░ेंрдЬ)

  • рд╕ुрд╢्рд░ी рдорд╣ेрдХ рдХрд╕्рдмेрдХрд░ (рдк्рд░рдзाрди рд╕ंрдкाрджрдХ рдПрд╡ं рдкрдд्рд░рдХाрд░, рдм्рд░ूрдЯ рдЗंрдбिрдпा)

  • рдбॉ. рд╡рд░्рддिрдХा рдиंрджा (рд▓ेрдЦिрдХा, рдЬेрд▓ рд╕ुрдзाрд░рдХ рдПрд╡ं рддिрдирдХा рддिрдирдХा рдлाрдЙंрдбेрд╢рди рдХी рд╕ंрд╕्рдеाрдкрдХ)


рдиेрд╢рдирд▓ рдмुрдХ рдЯ्рд░рд╕्рдЯ (NBT) рдФрд░ рддिрдирдХा рддिрдирдХा рдлाрдЙंрдбेрд╢рди рдХे рд╕ंрдпुрдХ्рдд рддрдд्рд╡ाрд╡рдзाрди рдоें "рд░ेрдбिрдпो рдЗрди рдк्рд░िрдЬрди" рдкुрд╕्рддрдХ рдХा рд╡िрдоोрдЪрди рдХिрдпा рдЧрдпा। рдпрд╣ рднाрд░рдд рдоें рдЬेрд▓ рд░ेрдбिрдпो рдкрд░ рд▓िрдЦी рдЧрдИ рдкрд╣рд▓ी рдкुрд╕्рддрдХ рд╣ै, рдЬिрд╕े рдЬेрд▓ рд╕ुрдзाрд░рдХ рдФрд░ рдоीрдбिрдпा рд╢िрдХ्рд╖िрдХा рдбॉ. рд╡рд░्рддिрдХा рдиंрджा рдиे рд▓िрдЦा рд╣ै। рдЗрд╕ рдкुрд╕्рддрдХ рдоें рдЬेрд▓ों рдоें рд░ेрдбिрдпो рдХी рднूрдоिрдХा, рдХैрджिрдпों рдХे рдоाрдирд╕िрдХ рд╕्рд╡ाрд╕्рде्рдп рдкрд░ рдЗрд╕рдХे рдк्рд░рднाрд╡ рдФрд░ рдЬेрд▓ рд╕ुрдзाрд░ рдоें рдоीрдбिрдпा рдХे рдпोрдЧрджाрди рдХो рд╡िрд╕्рддाрд░ рд╕े рдмрддाрдпा рдЧрдпा рд╣ै।

рдХाрд░्рдпрдХ्рд░рдо рдоें NBT рдЕрдз्рдпрдХ्рд╖ рдоिрд▓िंрдж рд╕ुрдзाрдХрд░ рдорд░ाрдаे, рдк्рд░рдзाрди рд╕ंрдкाрджрдХ рдХुрдоाрд░ рд╡िрдХ्рд░рдо, рдЖрдЧрд░ा рд░ेंрдЬ рдХे рдбीрдЖрдИрдЬी рдЬेрд▓, рд╢्рд░ी рдкी.рдПрди. рдкांрдбे, рдм्рд░ूрдЯ рдЗंрдбिрдпा рдХी рдк्рд░рдзाрди рд╕ंрдкाрджрдХ рдПрд╡ं рдкрдд्рд░рдХाрд░ рд╕ुрд╢्рд░ी рдорд╣ेрдХ рдХрд╕्рдмेрдХрд░ рдФрд░ рд▓ेрдЦिрдХा рдбॉ. рд╡рд░्рддिрдХा рдиंрджा рдЙрдкрд╕्рдеिрдд рд░рд╣े। рдЕрдкрдиे рд╕्рд╡ाрдЧрдд рднाрд╖рдг рдоें NBT рдЕрдз्рдпрдХ्рд╖ рдоिрд▓िंрдж рд╕ुрдзाрдХрд░ рдорд░ाрдаे рдиे рдЗрд╕ рдкुрд╕्рддрдХ рдХे рдорд╣рдд्рд╡ рдХो рд░ेрдЦांрдХिрдд рдХрд░рддे рд╣ुрдП рдХрд╣ा рдХि рдпрд╣ рди рдХेрд╡рд▓ рдЬेрд▓ों рдоें рд╣ो рд░рд╣े рд╕рдХाрд░ाрдд्рдордХ рдмрджрд▓ाрд╡ों рдХो рд╕ाрдордиे рд▓ाрддी рд╣ै, рдмрд▓्рдХि рд╕рдоाрдЬ рдХो рднी рдЗрд╕ рд╡िрд╖рдп рдкрд░ рд╕ोрдЪрдиे рдХे рд▓िрдП рдк्рд░ेрд░िрдд рдХрд░рддी рд╣ै।

рдкुрд╕्рддрдХ рд╡िрдоोрдЪрди рдХे рдмाрдж "рддिрдирдХा рдЬेрд▓ рд░ेрдбिрдпो" рдкрд░ рдЖрдзाрд░िрдд рдПрдХ рд╡िрд╢ेрд╖ рд╡ीрдбिрдпो рдк्рд░рд╕्рддुрдд рдХिрдпा рдЧрдпा, рдЬिрд╕рдоें рдЬेрд▓ рд░ेрдбिрдпो рдХी рдпाрдд्рд░ा рдФрд░ "рд░ेрдбिрдпो рдЗрди рдк्рд░िрдЬрди" рдкुрд╕्рддрдХ рдХे рдиिрд░्рдоाрдг рдХी рдХрд╣ाрдиी рдХो рджрд░्рд╢ाрдпा рдЧрдпा। рд╡ीрдбिрдпो рдХी рдкृрд╖्рдарднूрдоि рдоें рдбॉ. рд╕ुрдЪिрдд рдиाрд░ंрдЧ (рджृрд╖्рдЯिрдмाрдзिрдд рдХैрджी, рдЬिрд▓ा рдЬेрд▓, рджेрд╣рд░ाрджूрди) рдж्рд╡ाрд░ा рд░рдЪिрдд рдФрд░ рдЧाрдпा рдЧрдпा рдПрдХ рднाрд╡рдиाрдд्рдордХ рдЧीрдд рдмрдЬाрдпा рдЧрдпा, рдЬिрд╕рдиे рджрд░्рд╢рдХों рдХो рдЧрд╣рд░े рд╕्рддрд░ рдкрд░ рдк्рд░рднाрд╡िрдд рдХिрдпा।

рдХाрд░्рдпрдХ्рд░рдо рдХा рд╕ंрдЪाрд▓рди рд╕ुрд╢्рд░ी рдорд╣ेрдХ рдХрд╕्рдмेрдХрд░ рдиे рдХिрдпा। рдЪрд░्рдЪा рдХे рджौрд░ाрди рдЙрди्рд╣ोंрдиे рдбॉ. рд╡рд░्рддिрдХा рдиंрджा рд╕े рдкूрдЫा рдХि рднाрд░рддीрдп рдЬेрд▓ों рдоें "рддिрдирдХा рдЬेрд▓ рдкрдд्рд░рдХाрд░िрддा" рдХी рдЕрд╡рдзाрд░рдгा рдХिрддрдиी рдЕрдиूрдаी рд╣ै рдФрд░ рдЗрд╕рдХा рдХैрджिрдпों рдХे рдоाрдирд╕िрдХ рд╕्рд╡ाрд╕्рде्рдп рдПрд╡ं рдкुрдирд░्рд╡ाрд╕ рдкрд░ рдХ्рдпा рдк्рд░рднाрд╡ рдкрдб़рддा рд╣ै? рдЗрд╕ рдкрд░ рдбॉ. рдиंрджा рдиे рдмрддाрдпा рдХि рдЬेрд▓ рд░ेрдбिрдпो рдПрдХ рдРрд╕ा рдоाрдз्рдпрдо рдмрди рдЧрдпा рд╣ै, рдЬिрд╕рдиे рдХैрджिрдпों рдХो рд╕ंрд╡ाрдж рдХрд░рдиे, рдЕрдкрдиी рдХрд╣ाрдиिрдпाँ рд╕ाрдЭा рдХрд░рдиे рдФрд░ рдЕрдкрдиी рд░рдЪрдиाрдд्рдордХрддा рдХो рд╡्рдпрдХ्рдд рдХрд░рдиे рдХा рдЕрд╡рд╕рд░ рджिрдпा рд╣ै। рдЙрди्рд╣ोंрдиे рдмрддाрдпा рдХि рдпрд╣ рдкрд╣рд▓ рд╡िрд╢ेрд╖ рд░ूрдк рд╕े рдХोрд╡िрдб-19 рдорд╣ाрдоाрд░ी рдХे рджौрд░ाрди рдмेрд╣рдж рдк्рд░рднाрд╡ी рд╕ाрдмिрдд рд╣ुрдИ, рдЬрдм рдХैрджी рдмाрд╣рд░ी рджुрдиिрдпा рд╕े рдХрдЯा рд╣ुрдЖ рдорд╣рд╕ूрд╕ рдХрд░ рд░рд╣े рдеे।

рдбॉ. рдиंрджा рдиे рдЗрд╕ рдмाрдд рдкрд░ рдЬोрд░ рджिрдпा рдХि рдЬेрд▓ рд░ेрдбिрдпो, рдкॉрдбрдХाрд╕्рдЯ, рдЬेрд▓ рдкुрд░рд╕्рдХाрд░ рдФрд░ рдЬेрд▓ рдЬीрд╡рди рдкрд░ рд▓िрдЦी рдЧрдИ рдкुрд╕्рддрдХों рдиे рдЬेрд▓ों рдХे рдЕрдирджेрдЦे рдкрд╣рд▓ुрдУं рдХो рдЙрдЬाрдЧрд░ рдХрд░рдиे рдоें рдорд╣рдд्рд╡рдкूрд░्рдг рднूрдоिрдХा рдиिрднाрдИ рд╣ै। рдЙрди्рд╣ोंрдиे рдХрд╣ा рдХि рдЗрд╕ рдкрд╣рд▓ рдХे рдХाрд░рдг рдЬेрд▓ों рдоें рдЕрд╡рд╕ाрдж, рдЖрдХ्рд░ाрдордХрддा рдФрд░ рдЖрдд्рдо-рдиुрдХрд╕ाрди рдХी рдШрдЯрдиाрдУं рдоें рдХрдоी рдЖрдИ рд╣ै, рдХ्рдпोंрдХि рдпрд╣ рдХैрджिрдпों рдХो рд░рдЪрдиाрдд्рдордХ рдЕрднिрд╡्рдпрдХ्рддि рдХा рдоंрдЪ рдк्рд░рджाрди рдХрд░рддा рд╣ै।

рдЖрдЧрд░ा рд░ेंрдЬ рдХे рдбीрдЖрдИрдЬी JAIL рд╢्рд░ी рдкी.рдПрди. рдкांрдбे рдиे рдШोрд╖рдгा рдХी рдХि рдЬрд▓्рдж рд╣ी рдЙрдд्рддрд░ рдк्рд░рджेрд╢ рдХी рдЬेрд▓ों рдоें рдирдП рдЬेрд▓ рд░ेрдбिрдпो рд╕्рдЯेрд╢рди рд╢ुрд░ू рдХिрдП рдЬाрдПंрдЧे। рдЙрди्рд╣ोंрдиे рдпрд╣ рднी рдмрддाрдпा рдХि рдпूрдкी рдХी рдЬेрд▓ों рдоें рдкрд╣рд▓े рд╕े рд╣ी рдбॉ. рд╡рд░्рддिрдХा рдиंрджा рдж्рд╡ाрд░ा рдорд╣िрд▓ा рдХैрджिрдпों рдФрд░ рдЙрдирдХे рдмрдЪ्рдЪों рдХी рд╕ंрдЪाрд░ рдЖрд╡рд╢्рдпрдХрддाрдУं рдкрд░ рджी рдЧрдИ рд╕िрдлाрд░िрд╢ों рдХो рд▓ाрдЧू рдХिрдпा рдЬा рдЪुрдХा рд╣ै। рдЗрд╕ рд╢ोрдз рдХो ICSSR рдХे рддрд╣рдд рдХिрдпा рдЧрдпा рдеा рдФрд░ рдЗрд╕े рдЙрдд्рдХृрд╖्рдЯ рдоाрдиा рдЧрдпा рдеा। рдЕрдЧрд╕्рдд 2024 рдоें рдЙрдд्рддрд░ рдк्рд░рджेрд╢ рдХे рдоुрдЦ्рдп рд╕рдЪिрд╡, рд╢्рд░ी рдордиोрдЬ рдХुрдоाрд░ рд╕िंрд╣ рдФрд░ рдЬेрд▓ рдорд╣ाрдиिрджेрд╢рдХ рд╢्рд░ी рдкी.рд╡ी. рд░ाрдоाрд╕ाрд╕्рдд्рд░ी рдж्рд╡ाрд░ा рдЗрд╕े рдЬाрд░ी рдХिрдпा рдЧрдпा рдеा।

рдЗрд╕ рдорд╣рдд्рд╡рдкूрд░्рдг рдХाрд░्рдпрдХ्рд░рдо рдоें рд▓ेрдбी рд╢्рд░ीрд░ाрдо рдХॉрд▓ेрдЬ (LSR) рдХे рдкрдд्рд░рдХाрд░िрддा рд╡िрднाрдЧ рдХे рдЫाрдд्рд░ों рдиे рднी рд╕рдХ्рд░िрдп рд░ूрдк рд╕े рднाрдЧ рд▓िрдпा। рдЙрди्рд╣ोंрдиे рдЕрддिрдеिрдпों рдХे рд╕ाрде рд╕ंрд╡ाрдж рдХिрдпा рдФрд░ рдЬेрд▓ рд╕ुрдзाрд░ рдоें рдоीрдбिрдпा рдХी рднूрдоिрдХा рдкрд░ рд╡िрдЪाрд░-рд╡िрдорд░्рд╢ рдХिрдпा।

рдХाрд░्рдпрдХ्рд░рдо рдХे рдЕंрдд рдоें рдбॉ. рд╡рд░्рддिрдХा рдиंрджा рдиे рдЕрдкрдиे рдЕрдиुрднрд╡ рд╕ाрдЭा рдХрд░рддे рд╣ुрдП рдХрд╣ा рдХि рдЬेрд▓ рдХी рдЙрдирдХी рд╡िрд╡िрдз рдпाрдд्рд░ाрдПं рдЙрди्рд╣ें рд╕्рд╡рддंрдд्рд░рддा рдХे рд╡ाрд╕्рддрд╡िрдХ рдорд╣рдд्рд╡ рдХो рд╕рдордЭрдиे рдХा рдЕрд╡рд╕рд░ рджेрддी рд╣ै—рдПрдХ рдРрд╕ी рдЪीрдЬ़ рдЬिрд╕े рд╣рдо рдЕрдХ्рд╕рд░ рд╣рд▓्рдХे рдоें рд▓े рд▓ेрддे рд╣ैं। 

рдЪрд░्рдЪा рдХे рджौрд░ाрди рдкैрдирд▓ рдиे рджрд░्рд╢рдХों рдХी рдк्рд░рддिрдХ्рд░िрдпाрдПँ рднी рд╕ुрдиीं рдФрд░ рдЗрд╕ рдмाрдд рдкрд░ рд╕рд╣рдорддि рдЬрддाрдИ рдХि "рд░ेрдбिрдпो рдЗрди рдк्рд░िрдЬрди" рдПрдХ рдорд╣рдд्рд╡рдкूрд░्рдг рдкुрд╕्рддрдХ рд╣ै, рдЬो рдЖрдо рдиाрдЧрд░िрдХों рдХो рдЬेрд▓ рдЬीрд╡рди рдХी рд╡ाрд╕्рддрд╡िрдХрддाрдУं рд╕े рдЬोрдб़рдиे рдФрд░ рдЗрд╕ рд╡िрд╖рдп рдкрд░ рдЕрдзिрдХ рд╕ंрд╡ेрджрдирд╢ीрд▓ рдмрдиाрдиे рдХा рдоाрдз्рдпрдо рдмрди рд╕рдХрддी рд╣ै।



"рд░ेрдбिрдпो рдЗрди рдк्рд░िрдЬрди" рдкुрд╕्рддрдХ рдХा рд╡िрдоोрдЪрди рдЬेрд▓ рд╕ुрдзाрд░ рдХी рджिрд╢ा рдоें рдПрдХ рдРрддिрд╣ाрд╕िрдХ рдХрджрдо рд╕ाрдмिрдд рд╣ुрдЖ рд╣ै। рдЗрд╕ рдХाрд░्рдпрдХ्рд░рдо рдиे рдЬेрд▓ों рдоें рд░ेрдбिрдпो рдХी рднूрдоिрдХा рдФрд░ рдЙрд╕рдХे рд╕ुрдзाрд░ाрдд्рдордХ рдк्рд░рднाрд╡ рдХो рдЙрдЬाрдЧрд░ рдХрд░рдиे рдХा рдорд╣рдд्рд╡рдкूрд░्рдг рдЕрд╡рд╕рд░ рдк्рд░рджाрди рдХिрдпा। рдпрд╣ рд╕्рдкрд╖्рдЯ рд╣ोрддा рд╣ै рдХि рдоीрдбिрдпा, рд╡िрд╢ेрд╖ рд░ूрдк рд╕े рд░ेрдбिрдпो, рдХैрджिрдпों рдХे рдоाрдирд╕िрдХ рдПрд╡ं рд╕ाрдоाрдЬिрдХ рдкुрдирд░्рд╡ाрд╕ рдоें рдПрдХ рдк्рд░рднाрд╡рд╢ाрд▓ी рдоाрдз्рдпрдо рдмрди рд╕рдХрддा рд╣ै। "рд░ेрдбिрдпो рдЗрди рдк्рд░िрдЬрди" рдХेрд╡рд▓ рдПрдХ рдХिрддाрдм рдирд╣ीं, рдмрд▓्рдХि рдЬेрд▓ рд╕ुрдзाрд░ рдФрд░ рдХैрджिрдпों рдХे рдкुрдирд░्рд╡ाрд╕ рдХी рджिрд╢ा рдоें рдЙрдаाрдпा рдЧрдпा рдПрдХ рд╕рд╢рдХ्рдд рдХрджрдо рд╣ै।

рдЖрдХांрдХ्рд╖ा рдЪौрдзрд░ी


Jul 26, 2025

"From Breaking News to Prison Reform: My 30-Year Journey Since the Naina Sahni Case": Vartika Nanda: NDTV

6 May, 2025

On 2 July, 1995, Naina Sahni, a 29 years old woman was shot three bullets by her husband Sushil Sharma, a youth leader of Indian National Congress. This case is also known as the #tandoorcase.

After killing Naina Sahni, Sushil Sharma carried the dead body in his car to Bagia Bar-be-Que restaurant where he chopped the corpse into pieces and dumped it in the Tandoor.

He was arrested on 10 July ( after 8 days). He was sentenced to death by the Trial and Delhi High Court which was later turned into life imprisonment by the Supreme court of India. 

I was in Zee TV (now ZEE News) at that time and could see the public reaction to this story. 

Over the past 30 years, I’ve carved my own path in crime reporting. From leading the crime beat at NDTV to founding the Tinka Tinka Prison Reforms initiative, and most recently, shaping stories with the Delhi Police through their unique podcast series #KissaKhakiKa, these experiences have profoundly influenced my outlook.

At the core of my journey lies a belief: journalism must never be rushed. We must reflect deeply before we speak. Our words should carry intention—not just information. Above all, we must strive to inspire positive change in the world we inhabit. Everything else can follow.

So here it goes. 30 years later, I had a detailed conversation on Naina- Sushil Sharma case with Anwiti at NDTV. This conversation will be released soon. 





Also to add, this case was also a part of my two books on crime reporting- one published by #IIMC and other by Rajkamal Prakashan

Jul 19, 2025

17 July, 2025: Central Jail, Bhopal: “Voices Unlocked: Women Inmates Discover the Power of Communication” in Central Jail, Bhopal

 

Gratitude: Suresh Tomar, Secretary, MP State Women's Commission,  M R Patel,  (DIG, Jail),  Rakesh Bhangre (Superintendent, Central Jail, Bhopal) and Praveen Gangrade ( Director Anand Department)

“Voices Unlocked: Women Inmates Discover the Power of Communication” in Central Jail, Bhopal

- Learning to Speak: Basics of Communication as Therapy

- A Day of Discovery: From Silence to Self-Awareness

- Madhya Pradesh State Women’s Commission in collaboration with the Tinka Tinka Foundation, celebrate creativity in jail. 

Anjani’s Dream Woven in Color and Courage

At 35, Anjani had one dream: to become a fashion designer. She filled out her application forms with hope, but when the institute learned she was from the transgender community, her form was rejected—her identity overshadowing her aspirations. Today, within the walls of Bhopal Central Jail, that dream has found new life.

Here, in a place where society often sees as the end, Anjani has found a beginning. “Outside, we face discrimination but inside these walls, I’ve found the freedom to learn,” she said. The jail, once a symbol of confinement, has become a space of possibility—offering her the education and encouragement she was denied on the outside. Her story is not just about fashion. It’s about dignity, resilience, and the power of second chances. Anjani stood tall among a crowd of women inmates, clutching a painting she had created—a vivid reflection of her dreams. With quiet strength and unwavering resolve, she declared, “I want to be a fashion designer.”

Rajni’s Journey: From Silence to Solace

At 62, Rajni’s story is one of quiet transformation. When she entered Bhopal Central Jail in 2005 as a convict, she was illiterate—unable to read or write, and burdened by the weight of her past but here, in the jail, she discovered something unexpected: peace.

Over the years, Rajni learned to read, to express herself, and most importantly, to find happiness. “Jail gave me something I never had outside—solace,” she said softly, her eyes reflecting years of introspection.

Rajni shared her journey through art. She held up a painting she had created—featuring a Tulsi plant and a glowing moon at its centre. The Tulsi, sacred and healing; the moon, serene and constant. Together, they symbolized her newfound faith and inner calm. Her story is a testament to the power of learning, healing, and spiritual growth—even in the most unlikely places.

Expressions Behind Bars: Stories of Hope from Bhopal Central Jail in Madhya Pradesh

These expressions were made by women prisoners in a special one-day workshop on TV and newspapers as a means of reform and personality development in the women's ward of Central Jail, Bhopal. This was organised by Madhya Pradesh State Women’s Commission in collaboration with the Tinka Tinka Foundation, on the eve of Nelson Mandela Day.

The exercise: Out of 200 women inmates in the jail, 115 were chosen for a discourse, later selecting a group of 50 women for the specialised workshop. The workshop was designed to address the communication needs of women inmates, helping them articulate their inner worlds through visual and verbal storytelling. From dreams to regrets, from aspirations to affirmations, the women used media as a mirror to reflect their evolving selves. 



What women inmates expressed and the outcome: Women expressed their mental and emotional state through vibrant paintings on themes like dreams in jail etc, topics that have been dealt by Tinka Tinka Foundation in the past as apart of the annual awards given by them. These artworks became more than just creative exercises—they were windows into their inner worlds, tools for healing, and steps toward reclaiming their identities. 

The workshop resulted in transforming the space into a canvas of dreams, resilience, and self-expression. The workshop carefully focused on the communication needs of women prisoners—a critical yet often overlooked aspect of rehabilitation. Through the mediums of TV and newspapers, the initiative aimed to foster personality development and prepare inmates for future employment.

These expressions weren’t just artistic—they were therapeutic.  Even the illiterate women inmates came forward to express themselves with confidence. Rami, an inmate said, “ this was the best day in the jail, since I have come here. I am thrilled that I could express myself in such a unique manner.”

What the organisers felt: Member Secretary of the Commission, Suresh Tomar, emphasized the long-term vision behind such efforts. “The Commission has been organizing various programmes for skill development of women prisoners, and these initiatives will continue,” he said. “We will make continuous efforts for the upliftment of women and will soon conduct skill development programmes for women inmates in other jails. ”

Together, these voices—spoken and painted—signal a new chapter in rehabilitation: one where communication becomes a bridge to dignity, growth, and reintegration.













Professor Vartika Nanda, Head, Department of Journalism, Lady Shri Ram College, Delhi University and Founder, Tinka Tinka Foundation said, “ Tinka Tinka Foundation is credited to introduce journalism in jails. This exercise is another step in this direction. We want to impart basic skills in these women, give them the opportunity to fill their empty time with something meaningful, provide them a purpose and address their communication needs. By doing so, we are able to also cater to their mental health. Today’s exercise has once again proved that incarcerated women must be given such platforms so that they are able to live a life of purpose and dignity.” 

Jail Superintendent Rakesh Bhangre gave unwavering support to the entire exercise. He said, “ We have seen several organisations visiting us in the past but very few go deeper into the prison life and offer remedies for improving living conditions of inmates. I would say, today’s exercise has been a powerful step in fulfilling this.” 

 DIG jail M R Patel, Director and Anand Department Praveen Gangrade were also present during the event.

Background: Tinka Tinka Foundation is widely recognised for its seminal work in the form of a unique coffee table book- Tinka Tinka Madhya Pradesh- which was released by Shri Kiren Rijuji, then Minister of State for Home Affairs in 2018. This book stands out as an authentic documentation of prison life, capturing the lived experiences of 19 participants—including 12 male inmates, 2 female inmates, 4 children residing with their mothers in jail, and one prison guard (prahari). Through vivid visuals and personal narratives, the book offers a rare and intimate glimpse into the emotional, social, and psychological dimensions of incarceration. Her  "Study of the condition of women inmates and their children in Indian Prisons and their communication needs with special reference to Uttar Pradesh" was been evaluated as OUTSTANDING by ICSSR and was released by Manoj Kumar Singh (IAS), Chief Secretary, Uttar Pradesh in 2024. 

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Press Release in Hindi

рд╕ेंрдЯ्рд░рд▓ рдЬेрд▓, рднोрдкाрд▓: рд╕рдкрдиों рдФрд░ рд╕ाрд╣рд╕ рдХी рдЪिрдд्рд░рд╢ाрд▓ा рдмрдиी рдЬेрд▓

рдиेрд▓्рд╕рди рдоंрдбेрд▓ा рджिрд╡рд╕ рдХी рдкूрд░्рд╡ рд╕ंрдз्рдпा рдкрд░, рднोрдкाрд▓ рдХी рд╕ेंрдЯ्рд░рд▓ рдЬेрд▓ рдоें рдПрдХ рдкрд░िрд╡рд░्рддрдирдХाрд░ी рдкрд╣рд▓ рд╕ाрдордиे рдЖрдИ, рдЬिрд╕े рдордз्рдп рдк्рд░рджेрд╢ рд░ाрдЬ्рдп рдорд╣िрд▓ा рдЖрдпोрдЧ рдФрд░ рддिрдирдХा рддिрдирдХा рдлाрдЙंрдбेрд╢рди рдиे рдоिрд▓рдХрд░ рдЖрдпोрдЬिрдд рдХिрдпा। рдЗрд╕ рдПрдХ рджिрд╡рд╕ीрдп рд╡िрд╢ेрд╖ рдХाрд░्рдпрд╢ाрд▓ा рдоें 115 рдорд╣िрд▓ा рдмंрджिрдпों рдиे рднाрдЧ рд▓िрдпा, рдЬिрд╕рдоें рд╕े 50 рдХो рдоीрдбिрдпा, рд╕ंрдк्рд░ेрд╖рдг рдФрд░ рд╡्рдпрдХ्рддिрдд्рд╡ рд╡िрдХाрд╕ рдкрд░ рдЖрдзाрд░िрдд рд╡िрд╢ेрд╖ рд╕рдд्рд░ рдХे рд▓िрдП рдЪुрдиा рдЧрдпा।

ЁЯУЪ рдХрд▓ा, рдХрд╣ाрдиी рдФрд░ рдЖрдд्рдо-рдЕрднिрд╡्рдпрдХ्рддि рдХा рд╕ंрдЧрдо

рдХाрд░्рдпрд╢ाрд▓ा рдХा рдЙрдж्рджेрд╢्рдп рдеा – рдмंрджिрдпों рдХी рд╕ंрд╡ाрджाрдд्рдордХ рдЬ़рд░ूрд░рддों рдХो рд╕рдордЭрдиा рдФрд░ рдЙрди्рд╣ें рдЕрдкрдиी рднाрд╡рдиाрдУं, рд╕рдкрдиों рдФрд░ рдкрдЫрддाрд╡े рдХो рд╢рдм्рджों рдФрд░ рд░ंрдЧों рдоें рдкिрд░ोрдиे рдХा рдоंрдЪ рджेрдиा। рдЯीрд╡ी, рдЕрдЦ़рдмाрд░ों рдФрд░ рдкेंрдЯिंрдЧ्рд╕ рдХी рд╕рд╣ाрдпрддा рд╕े рдЙрди्рд╣ोंрдиे рдЕрдкрдиी рдкрд╣рдЪाрди рдФрд░ рдЖрдд्рдо-рдЦोрдЬ рдХो рдЕрднिрд╡्рдпрдХ्рдд рдХिрдпा।

ЁЯОи рдЕंрдЬрдиी рдХी рдХрд╣ाрдиी: рд░ंрдЧों рдоें рдмुрдиा рд╕рдкрдиा

35 рд╡рд░्рд╖ीрдпा рдЕंрдЬрдиी, рдЯ्рд░ांрд╕рдЬेंрдбрд░ рд╕рдоुрджाрдп рдХी рд╕рджрд╕्рдп рд╣ैं। рдЙрдирдХी рдЪिрдд्рд░рдХрд▓ा рдоें рдлैрд╢рди рдбिрдЬ़ाрдЗрдирд░ рдмрдирдиे рдХी рдЖрдХांрдХ्рд╖ा рдЙрдЬाрдЧрд░ рд╣ुрдИ। рдЙрди्рд╣ोंрдиे рдХрд╣ा, "рдмाрд╣рд░ рд╣рдо рднेрджрднाрд╡ рд╕рд╣рддे рд╣ैं, рд▓ेрдХिрди рдЬेрд▓ рдХे рднीрддрд░ рдоैंрдиे рд╕ीрдЦрдиे рдХी рдЖрдЬ़ाрджी рдкाрдИ рд╣ै।"

ЁЯМЩ рд░рдЬрдиी рдХी рдпाрдд्рд░ा: рдЪुрдк्рдкी рд╕े рд╕ुрдХूрди рддрдХ

62 рд╡рд░्рд╖ीрдп рд░рдЬрдиी 2005 рдоें рдЬेрд▓ рдЖрдИं. рдЙрди्рд╣ोंрдиे рдиे рдЬेрд▓ рдоें рд░рд╣рдХрд░ рдкрдв़рдиा-рд▓िрдЦрдиा рд╕ीрдЦा рдФрд░ рдЬीрд╡рди рдХो рдирдпा рдЕрд░्рде рджिрдпा। рдЙрдирдХी рддुрд▓рд╕ी рдХे рдкौрдзे рдФрд░ рдЪंрдж्рд░рдоा рдХी рдЪिрдд्рд░рдХрд▓ा рдЙрдирдХी рдЖрд╕्рдеा рдФрд░ рд╢ांрддि рдХी рдХрд╣ाрдиी рдХрд╣рддी рд╣ै।

ЁЯЦМ️ рджीрд╡ाрд░ों рдХे рднीрддрд░ рдирдИ рдкрд╣рдЪाрди

рдЕрд╢िрдХ्рд╖िрдд рдорд╣िрд▓ा рдмंрджिрдпों рдиे рднी рдЖрдд्рдо-рд╡िрд╢्рд╡ाрд╕ рдХे рд╕ाрде рднाрдЧ рд▓िрдпा। рдмंрджी рд░рдоी рдиे рдХрд╣ा, "рдпрд╣ рдЬेрд▓ рдоें рдоेрд░ा рд╕рдмрд╕े рдЕрдЪ्рдЫा рджिрди рдеा।"

ЁЯФЧ рд╕ंрд╕्рдеा рдХी рджृрд╖्рдЯि: рд╕ुрдзाрд░ рдФрд░ рд╕рдо्рдоाрди рдХा рд╡ाрджा

рд░ाрдЬ्рдп рдорд╣िрд▓ा рдЖрдпोрдЧ рдХे рд╕рджрд╕्рдп рд╕рдЪिрд╡ рд╕ुрд░ेрд╢ рддोрдорд░ рдиे рдХрд╣ा рдХि рдпрд╣ рдк्рд░рдпाрд╕ рдЕрди्рдп рдЬेрд▓ों рддрдХ рдмрдв़ाрдпा рдЬाрдПрдЧा। рдЬेрд▓ рдЕрдзीрдХ्рд╖рдХ рд░ाрдХेрд╢ рднंрдЧрд░े рдиे рдЗрд╕ рдкрд╣рд▓ рдХी рд╕рд░ाрд╣рдиा рдХी, рдЗрд╕े рд╕ुрдзाрд░ рдХी рджिрд╢ा рдоें рдаोрд╕ рдХрджрдо рдмрддाрдпा।

ЁЯЦК️ рддिрдирдХा рддिрдирдХा рдлाрдЙंрдбेрд╢рди: рдЬेрд▓ рдоें рдкрдд्рд░рдХाрд░िрддा рдХा рдк्рд░рд╡ेрд╢ рдж्рд╡ाрд░

рддिрдирдХा рддिрдирдХा рдХी рд╕ंрд╕्рдеाрдкрдХ рдФрд░ рд▓ेрдбी рд╢्рд░ीрд░ाрдо рдХॉрд▓ेрдЬ рдХी рдкрдд्рд░рдХाрд░िрддा рд╡िрднाрдЧाрдз्рдпрдХ्рд╖ рдк्рд░ोрдлेрд╕рд░ рд╡рд░्рддिрдХा рдиंрджा рдиे рдХрд╣ा, "рд╣рдо рдЦाрд▓ी рд╕рдордп рдХो рдЙрдж्рджेрд╢्рдпрдкूрд░्рдг рдмрдиाрдХрд░ рдоाрдирд╕िрдХ рд╕्рд╡ाрд╕्рде्рдп рдХा рд╕рдорд░्рдерди рдХрд░рддे рд╣ैं। рд╣рдо рдЬेрд▓ों рдоें рдЕрдиूрдаे рдк्рд░рдпोрдЧ рдХрд░ рдмंрджिрдпों рдХी рдЬिंрджрдЧी рдоें рдмेрд╣рддрд░ी рд▓ाрдиे рдФрд░ рдЙрди्рд╣ें рд╕рдоाрдЬ рдоें рдмेрд╣рддрд░ рдЗंрд╕ाрди рдХे рддौрд░ рдкрд░ рд▓ौрдЯрдиे рдоें рдорджрдж рдХрд░ рдХрд░ рд░рд╣े рд╣ैं."

ЁЯУЪ рдордз्рдп рдк्рд░рджेрд╢ рдХी рдЬेрд▓ों рдкрд░ рдорд╣рдд्рд╡рдкूрд░्рдг рджрд╕्рддाрд╡ेрдЬ

рддिрдирдХा рддिрдирдХा рдлाрдЙंрдбेрд╢рди рдиे 2018 рдоें рдЬेрд▓ों рдкрд░ рдПрдХ рдХॉрдлी рдЯेрдмрд▓ рдмुрдХ- рддिрдирдХा рддिрдирдХा рдордз्рдп рдк्рд░рджेрд╢ рдХा рдк्рд░рдХाрд╢рди рдХिрдпा рдеा рдЬिрд╕рдХे рдХेंрдж्рд░ рдоें рдордж्рдп рдк्рд░рджेрд╢ рдХी рдЬेрд▓ें рдеीं। ICSSR рдиे 2020 рдоें рдк्рд░ों. рдирди्рджा рдХे рдЙрд╕ рд╢ोрдз рдХो рдЙрдд्рдХृрд╖्рдЯ рдХрд░ाрд░ рдХिрдпा рдеा рдЬिрд╕рдоें рдЬेрд▓ рдХे рдмंрджिрдпों рдХी рд╕ंрд╡ाрдж рдХी рдЬрд░ूрд░рддों рдкрд░ рдЬोрд░ рджिрдпा рдЧрдпा рдеा।

ЁЯМ▒ рдирд╡ाрдЪाрд░ рдХी рдУрд░ рдПрдХ рдХрджрдо

DIG рдЬेрд▓ рдПрдо.рдЖрд░. рдкрдЯेрд▓ рдФрд░ рдЖрдиंрдж рд╡िрднाрдЧ рдХे рдиिрджेрд╢рдХ рдк्рд░рд╡ीрдг рдЧंрдЧрд░ाрдб़े рднी рдЗрд╕ рдХाрд░्рдпрдХ्рд░рдо рдоें рд╢ाрдоिрд▓ рд░рд╣े। 

.........

In Press: 18 July, 2025: https://www.freepressjournal.in/bhopal/life-of-woman-is-more-difficult-in-family-than-jail-say-female-prisoners

DAINIK BHASKAR: 18 JULY


DAINIK BHASKAR: 19 JULY



AMAR UJALA: 22 JULY, 2025



TRANSCONTINENTAL TIMES: SPAIN: 23 JULY, 2025



Interview for Dainik Bhaskar was taken by Sumit Pandey.







Sumit Pandey is a pass out from Makhan Lal University, Bhopal. He proudly shared with me his picture where I was giving him an award in 2007 along with the VC, Dr. Achutya Nand Mishra.



 


Jul 16, 2025

16 рдЬुрд▓ाрдИ, 2025 -рд╕्рдд्рд░ी- рджैрдиिрдХ рднाрд╕्рдХрд░ (рдордзुрд░िрдоा)


рдЕрдЦрдмाрд░ рдоें рдХрд╡िрддा рдЫрдкрдиे рдХा рд╕्рд╡ाрдж рд╣ी рдХुрдЫ рдЕрд▓рдЧ рд╣ोрддा рд╣ै—рдПрдХ рд╕рдзी рд╣ुрдИ рдоिрдаाрд╕, рдЬो рдорди рдХो рднीрддрд░ рддрдХ рдЫू рдЬाрддी рд╣ै। рдЖрдЬ рдХा рджिрди рдЦाрд╕ рд░рд╣ा, рдЬрдм рдоेрд░ी рд░рдЪрдиा 'рд╕्рдд्рд░ी' рдХो рджैрдиिрдХ рднाрд╕्рдХрд░ рдХी рд▓ोрдХрдк्рд░िрдп 'рдордзुрд░िрдоा' рдоें рд╕्рдеाрди рдоिрд▓ा। рдпрд╣ рд╕ुрдЦрдж рдЕрдиुрднрд╡ рдФрд░ рднी рдЦाрд╕ рдмрди рдЧрдпा рдЬрдм рдХрдИ рдЕрдирдЬाрдиे рдкाрдардХों рдиे рдЕрдкрдиी рдк्рд░рддिрдХ्рд░िрдпा рднेрдЬी—рдЬिрдирд╕े рдХрднी рдХोрдИ рд╕ंрд╡ाрдж рдирд╣ीं рд╣ुрдЖ рдеा, рдкрд░ рд╢рдм्рджों рдиे рдкुрд▓ рдмрдиा рджिрдП।


рд╢ुрдХ्рд░िрдпा рд░рдЪрдиा рд╕рдоंрджрд░ рдЗрд╕ рдХрд╡िрддा рдХो рдЗрддрдиी рд╕ुंрджрд░ рдЬрдЧрд╣ рджेрдиे рдХे рд▓िрдП।



рд╕्рдд्рд░ी рдХिрд╕ी рднी рд░ाрдЬрдиीрддि, рдмрд╣рд╕ рдпा рдордЬाрдХ рдХे рдХेंрдж्рд░ рдоें рдХрд╣ीं рд╕े рд▓ाрдХрд░ рд░рдЦ рджी рдЬाрддी рд╣ै рд╕्рдд्рд░ी рдЙрд╕рдХे рдмिрдиा рдЧाрд▓ी рдкूрд░ी рдирд╣ीं рд╣ोрддी рдЙрд╕рдХे рдмिрдиा рдЙрд▓ाрд╣рдиों рдХे рдЧрдЯ्рдард░ рднी рдирд╣ीं рдмрди рдкाрддे рдХिрд╕ी рдХे рдЙрдЬрдб़рдиे рдХे рдкीрдЫे рднी рдХिрд╕ी рд╕्рдд्рд░ी рдХा рдиाрдо рдЬрд░ुрд░ी рд╣ै рдЧिрд░рддे рдЪрд░िрдд्рд░ рдХा рдХोрдИ рдХрдеाрдирдХ рднी рд╕्рдд्рд░ी рдХे рдмिрдиा рдХрд╣ां рдкूрд░ा рд╣ो рдкाрддा рд╣ै рд╕ाрдоाрди рдмेрдЪрдиे рдХे рд╡िрдЬ्рдЮाрдкрди рдоें рднी рд╕्рдд्рд░ी рдХी рдЫुрдЕрди рдЬрд░ूрд░ी рд╣ै рднрд▓े рд╣ी рдЙрд╕рдХा рд╕्рдд्рд░ी рд╕े рди рд╣ो рдХोрдИ рддाрд▓्рд▓ुрдХ рд╕्рдд्рд░ी рдХे рдмिрдиा рдЯीрд╡ी рдХी рдЦрдмрд░ рдирд╣ीं рдЪрд▓рддी рд╕्рдд्рд░ी рдХे рдмिрдиा рдЬुрдорд▓े рдкूрд░े рдирд╣ीं рд╣ोрддे рд╕्рдд्рд░ी рдХे рдмिрдиा рдЕрдкрд░ाрдз рд╣ोрдиे рдХी рд╡рдЬрд╣ рдирд╣ीं рдЯिрдХрддी рд╣рдд्рдпा рд╕े рдЖрдд्рдорд╣рдд्рдпा рддрдХ рдорд╣рд▓ рд╕े рдмрд╕्рддी рддрдХ ( рд╕ंрд╕рдж рд╕े рд╕рдб़рдХ рддрдХ) -рд╕рдм рдЬрдЧрд╣ рдЬो рднी рдЕрдЯрдкрдЯा, рдЯेрдв़ा рдпा рдордЯрдоैрд▓ा рд╣ै рдЙрд╕рдХे рднी рдЧрд░्рдн рдоें рд░рдЦ рджी рдЬाрддी рд╣ै-рд╕्рдд्рд░ी рдФрд░ рдЕрдм рддो рдпрд╣ рднी рдХрд╣ा рдЬा рд░рд╣ा рд╣ै рдХि рджрдл्рддрд░ рдкрд░ рдЬ्рдпाрджा рдХाрдо рдЬрд░ूрд░ी рд╣ै рдХि рдХोрдИ рдШрд░ рдХी рд╕्рдд्рд░ी рдХो рдХिрддрдиी рджेрд░ рддрдХ рдиिрд╣ाрд░े рд╕्рдд्рд░ी рдЧрдбрдордб рд╣ो рдЧрдИ рд╣ै рдЗрди рд╕рдмрдоें рддрди рд╕े рд╕्рдд्рд░ी рд░рд╣ी рдкрд░ рдорди рдоें рд╕िрд▓рд╡рдЯें рднрд░ рдЖрдИं рд╡ो рдкुрд░ुрд╖ рдЬैрд╕ी рдмрдиे, рд╕्рдд्рд░ी рд╣ी рд░рд╣े рдпा рдлिрд░ рдХुрдЫ рднी рди рд░рд╣े рдЗрд╕рдХा рдлैрд╕рд▓ा рднी рд╕्рдд्рд░ी рдирд╣ीं рдХрд░ेрдЧी рд╡рд░्рддिрдХा рдирди्рджा

.......................

I was pleasantly surprised to receive this beautiful illustration by an unknown artist, later whom I could identify as Unnati Bhilwara from Bharatpur (Rajasthan), an artist by passion. Well done Unnati!!! 


 



рдкाрдардХों рдХी рдк्рд░рддिрдХ्рд░िрдпाрдПं

16 рдЬुрд▓ाрдИ рдЕंрдХ рдоें рд░ाрдоाрдпрдг рдХी рд░рдЪрдиा рд╣ो рдпा рдорд╣ाрднाрд░рдд рдХा рд╕ंрдЧ्рд░ाрдо рдЗрд╕рдоें рднी рдПрдХ рд╕्рдд्рд░ी рдХी рд╣ी рднूрдоिрдХा рддрдп рдХी рдЬाрддी рд╣ै рднрд▓े рд╣ी рд╡ाрд╕рдиा, рдЕрд╣ंрдХाрд░ рдпा рдЕрди्рдп рдХрд░рдг рд░рд╣े рд╣ो рд╡ो рдкुрд░ुрд╖ рдЬैрд╕ी рдмрдиे, рд╕्рдд्рд░ी рд╣ी рд░рд╣े, рдпा рдлिрд░ рдХुрдЫ рднी рдиा рд░рд╣े, рдЗрд╕рдХा рдлैрд╕рд▓ा рднी рд╕्рдд्рд░ी рдирд╣ीं рдХрд░ेрдЧी рдпрд╣ рджृрд╖्рдЯिрдХोрдг рдкुрд░ुрд╖ рдк्рд░рдзाрди рд╕рдоाрдЬ рдХी рдЬрдмрд░рджрд╕्рдд рд╕ोрдЪ рдХो рд╣ी рдк्рд░рджрд░्рд╢िрдд рдХрд░рддा рд╣ै рдХрд╡िрддा рд▓ेрдЦрдХ рд╡рд░्рддिрдХाрдиंрджा рдПрд╡ं рдордзुрд░िрдоा рдХे рдк्рд░рдХाрд╢рди рдкрд░ рдмрдзाрдИ рд╕ाрдХ्рд╖ी,рд╕рдоीрдХ्рд╖ा рд╕िंрдШрдИ,рдмाрдХрд▓ --------------------- рдХрд╡िрддा "рд╕्рдд्рд░ी" рд╡ाрдХрдИ рдХрдо рд╢рдм्рджों рдоें рдмेрд╣рддрд░ीрди рдХрд╡िрддा рд▓рдЧी, рд╡рд░्рддрдоाрди рд╕рдоाрдЬ рдоें рдорд╣िрд▓ाрдУं рдХे рд╕рд╢рдХ्рддिрдХрд░рдг, рд╕рдо्рдоाрди, рд╕ुрд░рдХ्рд╖ा рдПрд╡ं рд╕्рд╡рддрди्рдд्рд░рддा рдХी рдмрд╣ुрдд рдЖрд╡рд╢्рдпрдХрддा рд╣ै। рддाрдХि рд╡े рднी рдЕрдкрдиे рд╕рдкрдиों рдХी рдЙрдб़ाрди рднрд░ рд╕рдХे। рдХрд╣ाрдиी " рдиाрдо" рдПрд╡ं "рд╕ोрдЪ рдХी рдЧुрд▓ाрдоी" рднी рдмрд╣ुрдд рд╕рдХाрд░ाрдд्рдордХ рдПрд╡ं рдк्рд░ेрд░рдгाрджाрдпрдХ рд▓рдЧी। -рд░рд╡िрди्рдж्рд░ рдиाрде рдЬुंрдЬाрд▓िрдпा, рд╕ाрд░рд╕ंрдбा (рд░ाрдЬрд╕्рдеाрди) ---------------- 16 рдЬुрд▓ाрдИ рдХा рдордзुрд░िрдоा рдЕंрдХ рдмेрд╣рдж рд╢िрдХ्рд╖ाрдк्рд░рдж рд▓рдЧा।"рд╕्рдд्рд░ी "рдХрд╡िрддा рд╕्рдд्рд░ी рдХी рдЕрд╣рдоिрдпрдд рдмрддाрддी рд╣ै рдЖрдЬ рд╕рдоाрдЬ рдХे рд╣рд░ рдХ्рд╖ेрдд्рд░ рдоें рдХेंрдж्рд░рдмिंрджु рд╕्рдд्рд░ी рдкрд░ рдЯिрдХा рд╣ोрддा рд╣ै। рд╣рдоें рд╕рдоाрдЬ рдоें рд╕्рдд्рд░ी рдХो рд╕рдо्рдоाрди рдХी рджृрд╖्рдЯि рд╕े рджेрдЦрдиा рдЪाрд╣िрдП। рд╢िрдХ्рд╖ाрдк्рд░рдж рд▓ेрдЦों рдХे рд▓िрдП рдордзुрд░िрдоा рдХा рджिрд▓ рд╕े рд╢ुрдХ्рд░िрдпा। рдЖрдЬाрдж рдкूрд░рдг рд╕िंрд╣ рд░ाрдЬाрд╡рдд рдиिрд╣ाрд▓рдкुрд░ा, рдЬрдпрдкुрд░, рд░ाрдЬрд╕्рдеाрди। ---------------------- рдирдорд╕्рдХाрд░, рдЖрдЬ рдХे рдЕंрдХ рдоें рдХрд╣ाрдиी рдХौрди рдордХ्рдХाрд░,рдХौрди рд╣ोрд╢िрдпाрд░ рдЕрдЪ्рдЫी рд▓рдЧी।рдЬीрд╡рдирд╢ैрд▓ी рддрдп рдХрд░рддी рд╣ै рд╕ेрд╣рдд рд░ुрдЪिрдХрд░। рдХрд╡िрддा рд╕्рдд्рд░ी рд╕рдЪ рдХो рдмрдпाрди рдХрд░рддी рд╣ै। рдзрди्рдпрд╡ाрдж рдордзुрд░िрдоा। -рд╕ुрднाрд╖ рдЪंрдж्рд░ ---------------------- рдЖрджрд░рдгीрдп рд╡рд░्рддिрдХा рдиंрджा рд▓िрдЦिрдд рдХрд╡िрддा "рд╕्рдд्рд░ी" рдмрд╣ुрдд рд╣ी рд╕ुрди्рджрд░ рд▓рдЧी. рд╕्рдд्рд░ी рдкрд░ рд░рдЪिрдд рдХрд╡िрддा рдПрдХ рджрдо рдк्рд░ाрд╕ंрдЧिрдХ рд╣ै. рдХैрд▓ाрд╢ рдХрдкाрдб़िрдпा ------------------ 16 рдЬुрд▓ाрдИ рдХे рдЕंрдХ рдоें ‘рд╕्рдд्рд░ी’ рдиाрдордХ рдХрд╡िрддा рджिрд▓ рдХो рдЫूрдиे рд╡ाрд▓ी рдеी। рдЖрджिрдд्рдп рд╢ेрдЦрд░, рдЗंрджौрд░, рдордз्рдпрдк्рд░рджेрд╢ ------------------- 16 рдЬुрд▓ाрдИ рдХो рдк्рд░рдХाрд╢िрдд рд╡рд░्рддिрдХा рдиंрджा рдХी рдХрд╡िрддा рд╕्рдд्рд░ी рдорди рдЫू рдЧрдИ। рджिрдиेрд╢ рдмाрд░ोрда ॓рджिрдиेрд╢ ॔ рд╢ीрддрд▓ा рдХॉрд▓ोрдиी рд╕рд░рд╡рди рд░рддрд▓ाрдо ---------------------- рдордзुрд░िрдоा рдХे рд╡ैрд╕े рддो рд╣рд░ рд╣рдл्рддे рдХे рдЕंрдХ рдоें рдк्рд░рдХाрд╢िрдд рд▓ेрдЦ, рд▓рдШु рдХрд╣ाрдиिрдпां рд╕рднी рдЕрдЪ्рдЫे рдФрд░ рдкрдардиिрдп рд╣ोрддे рд╣ैं। рд▓рдШु рдХрдеा рдиाрдо рдФрд░ рдХрд╡िрддा рд╕्рдд्рд░ी рдмрд╣ुрдд рд╕ुрди्рджрд░ рд░рдЪрдиा рд▓рдЧी। рдбा рдЧाрдпрдд्рд░ी рддिрд╡ाрд░ी рд░рддрд▓ाрдо рдордз्рдпрдк्рд░рджेрд╢ ।


Jul 14, 2025

Tinka Tinka Tihar: Giving Voice to the Voiceless Behind Bars

рд╕ुрдмрд╣ рд▓िрдЦрддी рд╣ूँ, рд╢ाрдо рд▓िрдЦрддी рд╣ूँ  

рдЗрд╕ рдЪाрд░рджीрд╡ाрд░ी рдоें рдмैрдаी рдЬрдм рд╕े, рддेрд░ा рдиाрдо рд▓िрдЦрддी рд╣ूँ  

рдЗрди рдлाрд╕рд▓ों рдоें рдЬो рдЧ़рдо рдХी рдЬुрджाрдИ рд╣ै  

рдЙрд╕ी рдХो рд╣рд░ рдмाрд░ рд▓िрдЦрддी рд╣ूँ  

рдпे рдоेрд░े рд╢рдм्рдж рдирд╣ीं, рджिрд▓ рдХी рдЖрд╡ाрдЬ़ рд╣ै  

рдЦ़्рд╡ाрд╣िрд╢ рдЬ़िंрджा рд╣ै рдЬिрд╕े рд╣рд░ рд░ाрдд рд╕ोрдЪрддी рд╣ूँ  

рд╕ुрдмрд╣ рдХрднी рддो рд╣ोрдЧी рд╣ी  

рдЗрд╕ी рдЖрд╕ рдоें рдЬीрддी рд╣ूँ  

рд╣ाँ, рд╕ुрдмрд╣ рд▓िрдЦрддी рд╣ूँ, рд╢ाрдо рд▓िрдЦрддी рд╣ूँ  

рдЗрд╕ рдЪाрд░рджीрд╡ाрд░ी рдоें рдмैрдаी рдмрд╕, рддेрд░ा рдиाрдо рд▓िрдЦрддी рд╣ूँ.  

                                           -SEEMA RAGHUVANSHI, Inmate and poetess of Tinka Tinka Tihar 

In a world where prisons are often seen as places of punishment and silence, the Tinka Tinka Tihar initiative emerges as a powerful reminder that even behind bars, voices can rise, create, and transform. Rooted in the belief that rehabilitation is more powerful than retribution, this initiative redefines incarceration as an opportunity for self-expression, healing, and hope.

The Birth of a Movement: Origins of Tinka Tinka Tihar

Tinka Tinka Tihar began in 2013 in  Delhi Prisons, commonly called Tihar Jail. This is South Asia’s largest prison complex. It was born out of the vision and determination of Dr. Vartika Nanda, a prison reformer, academic, and journalist, who had been closely observing the psychological and social conditions of inmates, particularly women. As she engaged with prisoners, she realized that their voices, stories, and identities had been completely erased by the system. What began as a research-oriented engagement evolved into a much deeper mission: to offer prisoners a platform to reclaim their narrative. This initiative was strongly supported by Vimla Mehra (IPS),DG Delhi Prisons, 

At the time, prisons in India were largely governed by archaic rules and rigid structures. Inmates, especially women, suffered silently—cut off from society and deprived of emotional expression. It was this void that Tinka Tinka Tihar aimed to fill. This honorary initiative sought to use creative expression—poetry, art, and storytelling—as tools of healing, self-reflection, and social reintegration. Under the active support of the Tihar Jail administration, with the unrelenting commitment of Dr. Nanda, the initiative formally took shape and slowly began to evolve into a movement.

 Creativity as Reform: The Growth of Tinka Tinka Tihar

What distinguishes Tinka Tinka Tihar from other prison initiatives is its deep-rooted emphasis on inmate-led expression. The very first major output of this initiative was the book Tinka Tinka Tihar, published in 2013. It was written by women inmates and illustrated by them as well, with every poem and sketch reflecting their personal journey, pain, and aspirations. The book made history. Following this, other publications followed suit—Tinka Tinka Dasna (2015), which brought attention to Dasna Jail in Uttar Pradesh, Tinka Tinka Madhya Pradesh (2018), which showcased the creative work of female inmates in Madhya Pradesh and Radio in Prison (2024), a book published by National Book Trust, India is a living testimonial of the journey and impact of Tinka Jail Radio in some of the Indian jails. Each book extended the mission: to humanize prisoners and to change how society perceives incarceration.

Radio in Prison: The concept was revolutionary—providing inmates with an in-house radio service where they could listen to stories, news, poetry, and messages. Inmates were not just passive listeners—they participated as writers, speakers, and producers. This led to a wave of creative programming that enhanced emotional well-being and created a sense of connection and community among inmates.

One of the most significant milestones came in 2014 with the launch of the Tinka Tinka India Awards—an annual event that celebrates exceptional creativity and reform in prisons across the country. The awards recognize inmates, jail officers, and prison administrators who have contributed to positive change within the correctional system. Held every year on December 10, on the National Human Rights Day,  the awards have become a national symbol of prison innovation.

 From Isolation to Expression: Impact on Inmates and Society

The impact of Tinka Tinka Tihar on the inmates of Tihar Jail has been profound. For many, it has been the first time they were allowed to express themselves, to be heard without judgment. In one of the testimonials featured in a Tinka Tinka Foundation video, a woman inmate shared how writing her first poem made her feel “alive again.” Such moments are not isolated—they reflect the larger shift that occurs when prisoners are given a platform for self-expression.

Mental health, which is often overlooked in prison systems, has seen visible improvement among participants. The act of writing or speaking about their lives has helped inmates process trauma, regret, and hope. Jail staff, too, have observed reduced aggression and increased cooperation among prisoners engaged in Tinka Tinka activities.

On a societal level, the initiative has challenged long-held stigmas. By showcasing the creative and intellectual capacities of prisoners, it questions the very idea of inmates as irredeemable. The books, videos, and awards have received coverage in major media outlets and have entered academic discussions, sparking conversations about the need to rethink India’s approach to incarceration. 

 A Living Legacy: The Present and the Path Ahead

Today, Tinka Tinka Tihar continues to thrive under the Tinka Tinka Foundation. The initiative has expanded its reach beyond Delhi, influencing jail reforms in states like Uttar Pradesh, Madhya Pradesh, and Haryana. Several jails have now replicated the prison radio model, and the annual awards have inspired local-level recognitions in various prisons.

Current projects focus on creating more prison radios, developing workshops for inmate children, and introducing psychological counseling through storytelling. A digital museum is in the works to archive and showcase the vast collection of poems, artworks, and audio narratives that have emerged through the initiative.

However, challenges persist. Funding remains a significant hurdle, and changes in jail administration often affect continuity. Even today, Tinka Tinka Foundation (TTF) has no financial support.  There are also social barriers—public opinion about prisoners is still deeply punitive in many parts of Indian society. Yet, in the face of these hurdles, TTF has remained resilient, driven by the belief that reform is not just possible, but necessary.

 Conclusion: 

Tinka Tinka Tihar is not merely a prison program—it is a mirror held up to society, asking us to re-evaluate our assumptions about crime, punishment, and redemption. It illustrates that behind every barred window is a story waiting to be told, and that storytelling can be a profound form of justice. Through poetry, art, and sound, inmates who were once forgotten have found their place in the narrative of change.

As India continues to grapple with overcrowded prisons, outdated systems, and a rising need for reform, the Tinka Tinka initiative stands as a beacon—showing that even within confinement, the human spirit can be nurtured, reformed, and set free.

 Citations:

1.Tinka Tinka Tihar|Tihar jail|Tinka Tinka Foundation|Song written by Vartika Nanda and sung by inmates of Tihar:

https://youtu.be/SZHlOMUnYrs?si=8du-CzZDKqwBfR-N

2.Tinka Tinka Tihar special with Vartika Nanda|HUM LOG |Tihar Jail|Vartika Nanda: https://youtu.be/lGrsGC2zyHk?si=C0n8QR8qIfkYkMcj

3. A reflection of thoughts of Tihar inmates: https://youtu.be/Clg6n4Vg2-I?si=si1xgFJ5PsyILV-6

4.The magical wall of Tihar|Tinka Tinka Tihar 2013|Vartika Nanda: https://youtu.be/0k6lbFTadjY?si=LAl-NhQW9yAJuaYa

5.Tinka Tinka Tihar|All India Radio|Tinka Tinka Foundation|Vartika Nanda: https://youtu.be/E0KCJezbBwA?si=VY0aWfG_E4J-pCbS

6.Tinka Tinka Tihar|Stories through pictures|Tihar Jail|Vartika Nanda: https://youtu.be/_00Rn9S1-jY?si=5CzBToHh2obhVMDJ

7.Tinka Tinka India Awards|Year:2017|Tihar Jail|Tinka Tinka Foundation|Vartika Nanda: https://youtu.be/gCdZHFr0xyk?si=N9a8toy3Mo8MsWfk

8.Google link: Vartika Nanda – Prison Reformer & Media Educator

(Priyanka Gupta, student of Department of Journalism, Lady Shri Ram College, Delhi University)